DEVELOPMENTAL CRISIS IN EARLY ADULTHOOD: A ...
DEVELOPMENTAL CRISIS IN EARLY ADULTHOOD: A ...
DEVELOPMENTAL CRISIS IN EARLY ADULTHOOD: A ...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
5/02/05<br />
As the crisis progresses, Gemma continues to search externally for a cause to her suffering,<br />
and this is the ‘continued external search’. This is followed by ‘assertiveness and expression’<br />
which is a key phase of opening to begins to become more aware of inner feelings and her<br />
own desires. This is a prelude to the release of the pressure valve…<br />
6/02/05<br />
Gemma, despite some resistance, goes and sees a counsellor. This is a major turning point – a<br />
release of emotion, thoughts, concerns and a surfacing of the inner self. At this point, there is a<br />
sense of quest, journey, path, in the narrative, which suggests that the release moment releases<br />
something fluid and open-ended, rather than something static and pre-constructed.<br />
6/02/05<br />
Gemma separates, liberates, and encounters the full range of emotions from terrible guilt to<br />
excitement to fear. There seems to be an interesting co-occurrence of positive and negative<br />
emotions..<br />
Mary Memos<br />
11.05.2005<br />
A key opening part of the narrative is about how Mary came to choose law as a profession.<br />
‘Law’ later in the narrative becomes the bond from which she must set herself free.<br />
11.05.2005<br />
The contextual environment in which the crisis unfolds is described here – secure,<br />
competitive and all-subsuming<br />
The crisis is a long time in coming – the final pressure build up and release is the culmination<br />
of at least five years of doubt about her life and lifestyle. The realisation of possibility of<br />
separation is a realisation of possibility within herself – the change is away from the rigidity of<br />
her self-concept toward one in which possibility and alternatives could manifest.<br />
12.05.2005<br />
Memo: Mary’s Fairground Ride<br />
It was telling that during the emotional period just after separation, Mary finds that it is a small child<br />
playing on a fairground ride who acts a teacher. She relays the following story:<br />
“There was a family staying with me, and there was a 12 year old who was crazy to go on a<br />
fairground ride here, I don’t know whether you know, but it goes faster and faster and faster<br />
and it tips up, and there is nothing to stop you falling in apart from the centrifugal force, and I<br />
would never ever normally have gone on anything like that, I hate those rides, terrified of<br />
them. She was desperate to go on the ride, I was still feeling this minute to minute terror, and<br />
I thought there is nothing to be afraid of, anything to fill a minute will be fantastic, so off I<br />
went on this ride and loved it with this girl and of course loved every minute of it – a fantastic<br />
filling of those minutes with huge adrenalin. She and I, like two junkies, went on this<br />
ridiculous fairground ride again and again. She was another person who really helped me out<br />
– her desire to go on this was in fact my saving grace.” (p.7-8)<br />
It doesn’t seem like a huge hermeutic leap from this story to suggest that what Mary was trying to find<br />
again upon leaving her job is what children spontaneously have – the ability to just be, and<br />
correspondingly the ability to just be yourself, rather than the frenetic need to prove self all the time.<br />
Rachel Memos<br />
252