02.01.2014 Views

DEVELOPMENTAL CRISIS IN EARLY ADULTHOOD: A ...

DEVELOPMENTAL CRISIS IN EARLY ADULTHOOD: A ...

DEVELOPMENTAL CRISIS IN EARLY ADULTHOOD: A ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

5/02/05<br />

As the crisis progresses, Gemma continues to search externally for a cause to her suffering,<br />

and this is the ‘continued external search’. This is followed by ‘assertiveness and expression’<br />

which is a key phase of opening to begins to become more aware of inner feelings and her<br />

own desires. This is a prelude to the release of the pressure valve…<br />

6/02/05<br />

Gemma, despite some resistance, goes and sees a counsellor. This is a major turning point – a<br />

release of emotion, thoughts, concerns and a surfacing of the inner self. At this point, there is a<br />

sense of quest, journey, path, in the narrative, which suggests that the release moment releases<br />

something fluid and open-ended, rather than something static and pre-constructed.<br />

6/02/05<br />

Gemma separates, liberates, and encounters the full range of emotions from terrible guilt to<br />

excitement to fear. There seems to be an interesting co-occurrence of positive and negative<br />

emotions..<br />

Mary Memos<br />

11.05.2005<br />

A key opening part of the narrative is about how Mary came to choose law as a profession.<br />

‘Law’ later in the narrative becomes the bond from which she must set herself free.<br />

11.05.2005<br />

The contextual environment in which the crisis unfolds is described here – secure,<br />

competitive and all-subsuming<br />

The crisis is a long time in coming – the final pressure build up and release is the culmination<br />

of at least five years of doubt about her life and lifestyle. The realisation of possibility of<br />

separation is a realisation of possibility within herself – the change is away from the rigidity of<br />

her self-concept toward one in which possibility and alternatives could manifest.<br />

12.05.2005<br />

Memo: Mary’s Fairground Ride<br />

It was telling that during the emotional period just after separation, Mary finds that it is a small child<br />

playing on a fairground ride who acts a teacher. She relays the following story:<br />

“There was a family staying with me, and there was a 12 year old who was crazy to go on a<br />

fairground ride here, I don’t know whether you know, but it goes faster and faster and faster<br />

and it tips up, and there is nothing to stop you falling in apart from the centrifugal force, and I<br />

would never ever normally have gone on anything like that, I hate those rides, terrified of<br />

them. She was desperate to go on the ride, I was still feeling this minute to minute terror, and<br />

I thought there is nothing to be afraid of, anything to fill a minute will be fantastic, so off I<br />

went on this ride and loved it with this girl and of course loved every minute of it – a fantastic<br />

filling of those minutes with huge adrenalin. She and I, like two junkies, went on this<br />

ridiculous fairground ride again and again. She was another person who really helped me out<br />

– her desire to go on this was in fact my saving grace.” (p.7-8)<br />

It doesn’t seem like a huge hermeutic leap from this story to suggest that what Mary was trying to find<br />

again upon leaving her job is what children spontaneously have – the ability to just be, and<br />

correspondingly the ability to just be yourself, rather than the frenetic need to prove self all the time.<br />

Rachel Memos<br />

252

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!