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DEVELOPMENTAL CRISIS IN EARLY ADULTHOOD: A ...

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has, according to Booker (2005), evolved over millennia to capture some of the most<br />

crucial dimensions of the lived human condition within a complex structure of interrelations<br />

and meanings, and therefore is ideally placed to bring the narrative self to<br />

light. MacIntyre similarly states that narrative is not imposed on time, but is a<br />

structure that is present in human life:<br />

“Surely human life has a determinate form, the form of a certain kind of story. It is<br />

not just that poems and sagas narrate what happens to men and women, but that in<br />

their narrative form poems and sagas capture a form that was already present in the<br />

lives which they relate.” (MacIntyre, 1981, p.153)<br />

Self-schemas can be paradigmatic or narrative. The aforementioned selfdefining<br />

categories, self-descriptions, self-evaluations and possible-selves are<br />

paradigmatic. The narrative self, on the other hand, is the cognitive space in which all<br />

past life episodes that are defining of the self are stored and organised by time. Those<br />

episodes that are selected from the whole life course to have prominence in the “life<br />

story” are referred to by McAdams as “nuclear episodes”, and are generally either<br />

“high points, low points or turning points.” (McAdams, 1993, p.296). Neisser<br />

suggested that autobiographical memory is highly selective, and that in order to tell a<br />

life story, a person “must gloss over vast empty spaces” (Neisser, 1994, p.15).<br />

Autobiographical information must be stored in the selective schemas of the self<br />

system, selectively encoded, selectively retrieved, selectively made available to<br />

awareness and selectively disclosed to others.<br />

Nuclear episodes are structured using narrative structures (McAdams, 1993;<br />

Bruner, 1994; Polkinghorne, 1988). While narrative structure facilitates the<br />

organisation of a huge amount of information into meaningful episodes, it also acts to<br />

limit these memories and potentially distort them. Human beings are motivated to<br />

create a coherent and meaningful life narrative and so may adapt life episode<br />

narratives to fit into the overall dramatic theme of the life story (Cohler, 1980;<br />

Freeman, 1984; Handel, 1987; Hankiss, 1981). Smith (1994) conducted a<br />

longitudinal study on the transition to motherhood, and found that when<br />

contemporaneous and retrospective accounts of pregnancy were compared, mothers<br />

had changed their retrospective account in order to emphasise the positive elements of<br />

the experience, a sense of self-development and improvement, and also a sense of<br />

order and continuity. His findings suggested that the women used the selectivity of<br />

memory to enhance and support an idealised story of motherhood in their life story.<br />

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