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Miftah-ul-Janna (Booklet for way to Paradise)

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It is stated as follows in the hundred and sixty-second page of<br />

Terghîb-us-salât (written by Muhammad bin Ahmad Zâhid<br />

‘rahmat<strong>ul</strong>lâhi ta’âlâ ’alaih’, d. 632 [1234 A.D.], India,) and in the<br />

thirteen hundred and <strong>for</strong>ty-second page of the second volume of<br />

Berîqa (written by Muhammad bin Mustafâ Hâdimî ‘rahmat<strong>ul</strong>lâhi<br />

ta’âlâ ’alaih’, d. 1176 [1762 A.D.], Hâdim, Konya, Turkey,) and in<br />

the five hundred and eighty-ninth page of the second volume of<br />

Hadîqa (written by ’Abd-<strong>ul</strong>-Ghanî bin Ismâ’îl Nablusî, 1050 [1640<br />

A.D.7, Damascus – 1143 [1731], the same place:) “You sho<strong>ul</strong>d not<br />

ride an animal furnished with bells <strong>for</strong> the purpose of enjoying<br />

yourself, <strong>for</strong> it is makrûh <strong>to</strong> do so. For, bells are the devil’s musical<br />

instruments. Angels of Mercy do not descend on caravans (with<br />

animals) furnished with bells.” (However,) it is permissible <strong>to</strong> do<br />

so <strong>for</strong> some business or benefit.<br />

There is a unanimous scholarly statement that it is harâm <strong>to</strong><br />

read or recite poetry incompatible with Islam and ethics or <strong>to</strong> read<br />

or recite it at places of fisq where musical instruments are being<br />

played and alcoholic beverages are being consumed and/or men<br />

and women enjoy themselves <strong>to</strong>gether even if the poetry itself is<br />

compatible with Islam and ethics or <strong>to</strong> listen in mixed groups at<br />

such places <strong>to</strong> recitals of poetry that are per<strong>for</strong>med at other places<br />

and which are being broadcast or televised or played on the radio<br />

or on television or on a tape-recorder or <strong>for</strong> women and boys <strong>to</strong><br />

per<strong>for</strong>m such recitals in mixed choruses.] It is permissible <strong>to</strong> read<br />

or recite proper poetry at proper places. It may infuse tenderness<br />

<strong>to</strong> (listeners’) hearts and thereby cause Compassion of Allâhu<br />

ta’âlâ. Some scholars did not feel an attraction even <strong>to</strong> the mubâh<br />

(permitted) version of simâ’ (singing). Their unwillingness <strong>to</strong> simâ’<br />

stemmed from the idiocyncratic rep<strong>ul</strong>sion inherent in their nature<br />

and which prevented it from appealing <strong>to</strong> them. This natural<br />

disinclination, however, did not induce the blessed scholars in<strong>to</strong><br />

repudiation or denial of their valuable colleagues who felt inclined<br />

<strong>to</strong>wards simâ’.” It is harâm <strong>to</strong> read or recite the Qur’ân al-kerîm or<br />

mawlids or ilâhîs (e<strong>ul</strong>ogies) or salawât-i-sherîfs (special prayers<br />

said <strong>for</strong> Rasûl<strong>ul</strong>lah and sent as a gift <strong>to</strong> his blessed so<strong>ul</strong>) at places<br />

of fisq, even if it is per<strong>for</strong>med with due respect. (Places of fisq are<br />

places where sins are being committed.) It is kufr (unbelief) if it is<br />

done <strong>for</strong> pleasure or amusement. It is written in the sixth page of<br />

Durr-<strong>ul</strong>-ma’ârif: “Musical instruments and voices of women and<br />

boys are ghinâ (sinf<strong>ul</strong> music) and harâm. Usef<strong>ul</strong> poetry is simâ’<br />

and mubâh, unless it is per<strong>for</strong>med (in such manners and) with such<br />

voices.”<br />

– 222 –

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