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Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch

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FIG. 92: TIME CHARTS AND SEA LEVEL POSITIONS.<br />

that are at an altitude <strong>of</strong> roughly 25 m OD nowadays, were available<br />

in the Neolithic. <strong>The</strong> cupules <strong>and</strong> cup-<strong>and</strong>-rings on these levels<br />

therefore could be Neolithic.<br />

* 1.5.1.3 In this respect it is important to notice that a<br />

growing number <strong>of</strong> researchers accepts the European cup-<strong>and</strong>-ring<br />

symbol to be Neolithic <strong>of</strong> origin (Bradley 1997, Burgess 1990, Van <strong>Hoek</strong><br />

1997a). Many, however, also believe that the megalithic art <strong>of</strong><br />

especially the Irish tombs is the cradle for cup-<strong>and</strong>-ring art. In my<br />

opinion, however, cup-<strong>and</strong>-ring art originated long before the shortlived<br />

upheaval <strong>of</strong> the megalithic art took place (Van <strong>Hoek</strong> 1997a: 14).<br />

Despite this view I think that the Sc<strong>and</strong>inavian cup-<strong>and</strong>-rings<br />

developed rather late in the Neolithic, simply because the Neolithic<br />

culture was generally introduced later into Sc<strong>and</strong>inavia (Fig. 92),<br />

around 3800 BC (Coles 1990: 7). It must be emphasised, however, that<br />

both cup-<strong>and</strong>-ring art <strong>and</strong> megalithic art never developed fully in the<br />

study area.<br />

Yet, also in Sc<strong>and</strong>inavia we find traces <strong>of</strong> a modest megalithic nonfigurative<br />

rock art tradition (Sogness 1995: 5; Burenhult 1980: 134),<br />

but it is not at all certain whether this is evidence <strong>of</strong> diffusion from<br />

Irel<strong>and</strong>. <strong>The</strong>re are however several impressive Neolithic monuments in<br />

M. <strong>van</strong> HOEK: 121<br />

GEOGRAPHY

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