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Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch

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not mean that this has been intended to be so. It is equally possible<br />

that Roughting Linn only marks the pass in the s<strong>and</strong>stone ridge (which<br />

is more conform observations at other rock art groups), or became a<br />

ritual centre for another, still obscure reason. It is moreover, strange<br />

that the s<strong>and</strong>stone hills between Roughting Linn <strong>and</strong> Doddington<br />

(Doddington Northmoor in Fig. 31) have no rock art, whereas they<br />

<strong>of</strong>fer far better views across the basin from extensive outcrops near<br />

the escarpment.<br />

FIG. 34: MILFIELD LAKE AND ITS SURROUNDING ROCK ART.<br />

* 1.2.3.3.3.1 What was so attractive in the Milfield Basin ? It<br />

is true that the basin has a more than average number <strong>of</strong> prehistoric<br />

structures (Fig. 34), mainly henges, but it remains most uncertain<br />

whether these henges are contemporary or even culturally related to<br />

the neighbouring cup-<strong>and</strong>-ring art. Such contemporaneity is too easily<br />

taken for granted. Notably, only one stone with one cupule was found in<br />

one <strong>of</strong> these henges. <strong>The</strong> henge which provided a radio-carbon date <strong>of</strong><br />

M. <strong>van</strong> HOEK: 53 GEOGRAPHY

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