Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch
Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch
Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch
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FIG. 164: A: GERUM; B: JATTEBERGET.<br />
engraving, there is a strange animal featuring<br />
a crude ring as a head with faint traces <strong>of</strong> a<br />
central depression (Fig. 164.A) – a cup-<strong>and</strong>ring<br />
? More convincing examples are found at<br />
Jatteberget, Dalsl<strong>and</strong>, together with a single<br />
tailed cup-<strong>and</strong>-one-ring (Fig. 164.B), but these<br />
examples possibly all are Bronze Age (re-)<br />
inventions.<br />
In conclusion, it is obvious that in Sc<strong>and</strong>inavia<br />
an intentional link between animal figures <strong>and</strong><br />
cup-<strong>and</strong>-rings never developed. However,<br />
another motif, the cross-in-circle, also<br />
occurring in Galician rock art, is <strong>of</strong>ten interpreted as a sun symbol in<br />
rock art, especially in Sc<strong>and</strong>inavia (Kaul 1998), where we find numerous<br />
examples, such as the horse dragging a sun disc at Kalleby (Fig.<br />
156.2).<br />
<strong>The</strong> similarity between some <strong>of</strong> these Sc<strong>and</strong>inavian scenes <strong>and</strong> Galician<br />
examples is striking. Galician cross-in-circles are for instance found<br />
hovering above an animal engraving at A Escada IV (Fig. 156.11). At<br />
Laxe da Rotea de Mendo a (secondary ?) cross-in-circle occurs well<br />
inside the outline <strong>of</strong> the large stag (Fig. 165) <strong>and</strong> a smaller stag on the<br />
same outcrop features a cross-in-circle (Fig. 156.9)<br />
in a similar position as at stag A at Os Carballos.<br />
<strong>The</strong>refore, it is equally possible that the four radials<br />
at stag A at Os Carballos have been added to an<br />
existing cup-<strong>and</strong>-ring (Fig. 161.1-2-3) because the<br />
manufacturer <strong>of</strong> the animal, or even a later visitor,<br />
interpreted the circular motif as a solar symbol <strong>and</strong><br />
changed it into a cross-in-circle in agreement with<br />
his own culture.<br />
FIG. 165: LAXE DA ROTEA DE MENDO.<br />
� THE STAG AND THE POOL �<br />
We have seen that the smaller cup-<strong>and</strong>-ring from Lombo da Costa<br />
XXVIII could be interpreted as a solar motif (Chapter 2.2). But the<br />
whole scene could also be seen as deer eating the bark <strong>and</strong> leaves from<br />
a tree, as they do in normal life. Another interpretation is given by<br />
Vázquez (1998: 53) who tentatively suggests that the stag could be<br />
seen as an animal drinking from, for instance, a pool, <strong>and</strong>, in the case<br />
M. <strong>van</strong> HOEK: 206<br />
GEOGRAPHY