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Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch

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� CHAPTER 1.2 �<br />

THE BRITISH ISLES<br />

� INTRODUCTION �<br />

This book is about circles; especially circles carved on natural stone<br />

surfaces. <strong>The</strong> circle as a petroglyph, but also as geoglyph, occurs all<br />

over the world. But there is no other place like the British Isles where<br />

both the circular petroglyph <strong>and</strong> the geoglyph occurs so abundantly.<br />

<strong>The</strong> geoglyphs are represented by more than a thous<strong>and</strong> stone circles,<br />

built <strong>of</strong> all sorts <strong>of</strong> st<strong>and</strong>ing stones <strong>and</strong> there is also an unknown but<br />

large number <strong>of</strong> circular burials. On top <strong>of</strong> that, there are more than<br />

50000 cupules <strong>and</strong> (Fig. 123) 12000 petroglyph circles that have been<br />

carved out <strong>of</strong> the rocks. Why the circle is so characteristic for<br />

especially these isles is still a mystery.<br />

Besides the circular art at open-air sites, these isl<strong>and</strong>s, especially<br />

Irel<strong>and</strong>, have also an enormous collection <strong>of</strong> the so called passage tomb<br />

art, mainly comprising circular (Fig. 2) <strong>and</strong> angular abstract art, which,<br />

however, will not<br />

be the subject <strong>of</strong><br />

this book.<br />

Figurative or<br />

iconic rock art<br />

symbols, such as<br />

animals or human<br />

figures are very<br />

rare or even<br />

absent in these<br />

isl<strong>and</strong>s <strong>and</strong> this<br />

is all the<br />

ENTRANCE<br />

stranger when<br />

one considers<br />

their position in<br />

between Spain<br />

<strong>and</strong> Sc<strong>and</strong>inavia,<br />

two important<br />

petroglyph areas<br />

with an enormous<br />

collection <strong>of</strong> rock<br />

FIG. 2: NEWGRANGE AND ENTRANCE-STONE.<br />

motifs comprising<br />

both circular motifs <strong>and</strong> figurative art. No doubt there where contacts<br />

between these three rock art regions, so it is most enigmatic why the<br />

British Isles remained so “conservative” in their prehistoric art.<br />

M. <strong>van</strong> HOEK: 8<br />

GEOGRAPHY

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