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Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch

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Illapel <strong>and</strong> La Silla belong to the<br />

so-called El Molle culture <strong>of</strong> the<br />

Indian tribe that dwelled the<br />

Andean foothills.<br />

This specific Indian tribe<br />

populated Norte Chico from 300<br />

BC to AD 700. <strong>The</strong>y probably<br />

consisted <strong>of</strong> small mobile groups<br />

<strong>of</strong> agriculturists <strong>and</strong> pastoralists<br />

that followed the ancient paths <strong>of</strong><br />

the earlier hunters-gatherers.<br />

<strong>The</strong>se earlier tribes notably<br />

practised a form <strong>of</strong> transhumance.<br />

In the spring they moved from the<br />

coast towards the high ground <strong>of</strong><br />

the Andes <strong>and</strong> most probably the<br />

river-gorges in the lower foothills<br />

were important stopping places on<br />

their way up <strong>and</strong> down the<br />

mountains. For several reasons<br />

(grinding food or mixing colours)<br />

these hunters-gatherers probably<br />

FIG. 179: EL ENCANTO, CHILE<br />

also made the first typical basin<br />

stones, called “Piedras Tacitas”, <strong>and</strong> this practice probably has been<br />

continued by the El Molle culture, who enhanced some <strong>of</strong> the stopping<br />

places in river-gorges with elaborate petroglyphs. It proves that also<br />

in Chile rock art distribution is closely associated with migration<br />

patterns <strong>of</strong> mobile peoples.<br />

One <strong>of</strong> the best known petroglyphic river-gorge sites in Chile is El<br />

Valle de El Encanto with more than 150 blocks <strong>of</strong> granite with numerous<br />

engravings <strong>of</strong> geometric <strong>and</strong> iconic figures, some paintings, a few<br />

cupuled rocks <strong>and</strong> many <strong>of</strong> the typical basin-stones.<br />

Surprisingly, only one cup-<strong>and</strong>-ring motif is found in this beautiful<br />

place in the semi-desert. A large block <strong>of</strong> stone amidst a collapsed (?)<br />

waterfall bears a few worn cupules <strong>and</strong> some geometric designs, one<br />

(Fig. 179) resembling the keyhole figure from Carschenna (Fig. 71). It<br />

proves that parallel evolution <strong>of</strong> a rock art motif elsewhere in the<br />

world is always possible. <strong>The</strong> keyhole design from El Encanto occurs<br />

also at many other sites in Norte Chico, such as at the nearby site <strong>of</strong><br />

El Valle de Sol (Van <strong>Hoek</strong> 2000d, forthcoming), La Silla (Niemeyer &<br />

Ballereau 1996, Fig. 17E) <strong>and</strong> at Illapel (Ballereau & Niemeyer 1996,<br />

Fig. 16C <strong>and</strong> 18F). <strong>The</strong>se keyhole-designs have tentatively been<br />

interpreted as symbols <strong>of</strong> feminine fertility (Ballereau & Niemeyer<br />

1996, 348).<br />

M. <strong>van</strong> HOEK: 219<br />

GEOGRAPHY

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