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Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch

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� CHAPTER 1.4 �<br />

THE ALPS, THE BIG BARRIER<br />

� INTRODUCTION �<br />

It is quite underst<strong>and</strong>able that the major cup-<strong>and</strong>-ring regions on the<br />

Atlantic seaboard received most attention when it came to the study <strong>of</strong><br />

distribution patterns <strong>of</strong> this abstract art form (Bradley 1997; Costa &<br />

Novoa 1993; Steinbring & Lanteigne 1991: Van <strong>Hoek</strong> 1997a): only a few<br />

simple cup-<strong>and</strong>-rings had been reported incidentally in the Alps. Due to<br />

this relative scarcity <strong>of</strong> cup-<strong>and</strong>-rings in the Alps, this large area,<br />

which abounds in iconic art, received little or no attention in this<br />

respect <strong>and</strong> consequently the patterning <strong>of</strong> alpine cup-<strong>and</strong>-ring art<br />

sites remained more obscure for quite a while.<br />

However, the discovery <strong>of</strong> a major cup-<strong>and</strong>-ring complex at Carschenna,<br />

in the central part <strong>of</strong> the Alpine region in 1965, completely overturned<br />

the view that the cup-<strong>and</strong>-ring tradition was solely a phenomenon <strong>of</strong><br />

the Atlantic seaboard. Since then more sites bearing cupules with<br />

(multiple) rings came to light <strong>and</strong> a careful comparison <strong>of</strong> the Alpine<br />

distribution patterns with the Atlantic situation is now possible.<br />

An extra problem is that this large area comprises several countries<br />

<strong>and</strong> although several excellent regional inventories have been<br />

published, these do not cover the whole <strong>of</strong> the mountain range <strong>and</strong><br />

moreover <strong>of</strong>ten lack statistical information. <strong>The</strong>refore, a more or less<br />

complete picture could only be constructed from several, sometimes<br />

incomplete sources. Having pieced together these bits <strong>of</strong> information,<br />

combined with on-site surveys by the author <strong>and</strong> the help <strong>of</strong> many<br />

other people, a still usable picture emerged.<br />

A major characteristic <strong>of</strong> the Alpine area is that these mountains have<br />

always been a major barrier in Europe, not only concerning the climate,<br />

weather <strong>and</strong> culture, but especially regarding the traffic through this<br />

mountainous area. Traversing this barrier was <strong>and</strong> still is a major task<br />

<strong>and</strong> especially in prehistoric days, when (paved) roads did not yet exist,<br />

travelling through the mountains will have been enormously difficult,<br />

especially in bad weather conditions. It will therefore be no surprise<br />

that all major prehistoric routes ran by way <strong>of</strong> the most accessible<br />

valleys <strong>and</strong> that the lowest passes were favoured.<br />

It is therefore <strong>of</strong>ten seen that in mountain areas rock art<br />

concentrates in valleys which <strong>of</strong>fer major through routes, like the<br />

Mustang area <strong>of</strong> the Himalayas (Phole 1999, 28). In Chapter 1.4.2 I<br />

will discuss one <strong>of</strong> the Alpine routes in detail, but first I shall discuss<br />

the general distribution <strong>of</strong> cup-<strong>and</strong>-ring sites in the Alpine region; an<br />

area which, surprisingly, also can claim to have the biggest<br />

concentration <strong>of</strong> cup-<strong>and</strong>-ring art in the whole <strong>of</strong> Europe: Carschenna.<br />

M. <strong>van</strong> HOEK: 87<br />

GEOGRAPHY

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