Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch
Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch
Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch
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� CHAPTER 1.4 �<br />
THE ALPS, THE BIG BARRIER<br />
� INTRODUCTION �<br />
It is quite underst<strong>and</strong>able that the major cup-<strong>and</strong>-ring regions on the<br />
Atlantic seaboard received most attention when it came to the study <strong>of</strong><br />
distribution patterns <strong>of</strong> this abstract art form (Bradley 1997; Costa &<br />
Novoa 1993; Steinbring & Lanteigne 1991: Van <strong>Hoek</strong> 1997a): only a few<br />
simple cup-<strong>and</strong>-rings had been reported incidentally in the Alps. Due to<br />
this relative scarcity <strong>of</strong> cup-<strong>and</strong>-rings in the Alps, this large area,<br />
which abounds in iconic art, received little or no attention in this<br />
respect <strong>and</strong> consequently the patterning <strong>of</strong> alpine cup-<strong>and</strong>-ring art<br />
sites remained more obscure for quite a while.<br />
However, the discovery <strong>of</strong> a major cup-<strong>and</strong>-ring complex at Carschenna,<br />
in the central part <strong>of</strong> the Alpine region in 1965, completely overturned<br />
the view that the cup-<strong>and</strong>-ring tradition was solely a phenomenon <strong>of</strong><br />
the Atlantic seaboard. Since then more sites bearing cupules with<br />
(multiple) rings came to light <strong>and</strong> a careful comparison <strong>of</strong> the Alpine<br />
distribution patterns with the Atlantic situation is now possible.<br />
An extra problem is that this large area comprises several countries<br />
<strong>and</strong> although several excellent regional inventories have been<br />
published, these do not cover the whole <strong>of</strong> the mountain range <strong>and</strong><br />
moreover <strong>of</strong>ten lack statistical information. <strong>The</strong>refore, a more or less<br />
complete picture could only be constructed from several, sometimes<br />
incomplete sources. Having pieced together these bits <strong>of</strong> information,<br />
combined with on-site surveys by the author <strong>and</strong> the help <strong>of</strong> many<br />
other people, a still usable picture emerged.<br />
A major characteristic <strong>of</strong> the Alpine area is that these mountains have<br />
always been a major barrier in Europe, not only concerning the climate,<br />
weather <strong>and</strong> culture, but especially regarding the traffic through this<br />
mountainous area. Traversing this barrier was <strong>and</strong> still is a major task<br />
<strong>and</strong> especially in prehistoric days, when (paved) roads did not yet exist,<br />
travelling through the mountains will have been enormously difficult,<br />
especially in bad weather conditions. It will therefore be no surprise<br />
that all major prehistoric routes ran by way <strong>of</strong> the most accessible<br />
valleys <strong>and</strong> that the lowest passes were favoured.<br />
It is therefore <strong>of</strong>ten seen that in mountain areas rock art<br />
concentrates in valleys which <strong>of</strong>fer major through routes, like the<br />
Mustang area <strong>of</strong> the Himalayas (Phole 1999, 28). In Chapter 1.4.2 I<br />
will discuss one <strong>of</strong> the Alpine routes in detail, but first I shall discuss<br />
the general distribution <strong>of</strong> cup-<strong>and</strong>-ring sites in the Alpine region; an<br />
area which, surprisingly, also can claim to have the biggest<br />
concentration <strong>of</strong> cup-<strong>and</strong>-ring art in the whole <strong>of</strong> Europe: Carschenna.<br />
M. <strong>van</strong> HOEK: 87<br />
GEOGRAPHY