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Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch

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* 2.2.1.2 CONCLUSIONS *<br />

It is clear from this chapter that possible “re-sanctification” <strong>of</strong><br />

quarried rock art sites is most controversial <strong>and</strong> moreover very hard to<br />

prove. <strong>The</strong>re are thous<strong>and</strong>s <strong>of</strong> instances <strong>of</strong> open-air rock art in the<br />

British Isles; yet only three instances possibly involve prehistoric<br />

quarrying. Of these three, only one, the North Plantation site, just<br />

possibly may have been “re-sanctified” after prehistoric quarrying took<br />

place, <strong>and</strong> even that is most doubtful. In neither case solid evidence<br />

has been brought forward.<br />

Even when parts were quarried on purpose, it remains doubtful whether<br />

the added art represents instances <strong>of</strong> “re-sanctification”. As we have<br />

seen, this is a matter <strong>of</strong> chronology, but also <strong>of</strong> terminology. <strong>The</strong> redecoration<br />

could have taken place immediately after the piece was<br />

removed, in which case there is no question <strong>of</strong> “re-sanctification”.<br />

Alternatively, the new motifs could have been executed a long period<br />

after the piece was removed, but still within the same cultural frame,<br />

<strong>and</strong> then this just possibly could be interpreted as a sort <strong>of</strong> “resanctification”.<br />

But I have previously remarked that it has been a<br />

normal practice to add new cup-<strong>and</strong>-rings to existing sites over very<br />

long periods <strong>of</strong> time. And all these additions actually are instances <strong>of</strong><br />

“re-sanctification”.<br />

It is also more logical to suppose that any assumed practice to quarry<br />

decorated outcrops most likely was carried out by a people completely<br />

different to the manufacturers <strong>of</strong> the petroglyphs, as these rock art<br />

symbols must have had an enormous religious <strong>and</strong> social value for the<br />

society that created them. <strong>The</strong>refore prehistoric quarrying <strong>of</strong> cup-<strong>and</strong>ring<br />

sites never became a common practice: even hundreds <strong>of</strong> years<br />

after the decline <strong>of</strong> this specific rock art tradition, the still enigmatic<br />

symbols will have been respected. Ultimately the ancient symbols lost<br />

their value <strong>and</strong> consequently some decorated rocks were quarried,<br />

occasionally during the Bronze Age (e.g. some Kilmartin menhirs) <strong>and</strong><br />

Iron Ages, <strong>and</strong>, regrettably, on a bigger scale in historical times.<br />

It also is highly unlikely that Iron Age peoples would “re-sanctify” a<br />

site like Greenl<strong>and</strong> with symbols so typical for the Neolithic rock art<br />

tradition. Why did they not apply symbols <strong>of</strong> their own culture ? This<br />

has been done at other sites in Europe where Bronze Age symbols are<br />

joined to Neolithic cup-<strong>and</strong>-rings. Among these instances are several<br />

cup-<strong>and</strong>-rings that seem to have been “re-sanctified” by different<br />

cultures. In the following chapters three special categories <strong>of</strong> possible<br />

“re-sanctification” in Europe will be discussed; the association <strong>of</strong> boats<br />

with cup-<strong>and</strong>-rings, the enigmatic “disc-men” <strong>of</strong> Bohuslän, Sweden, <strong>and</strong><br />

the animal-cup-<strong>and</strong>-rings, mainly occurring in Galicia, Spain.<br />

But first you may care to go to the next Chapter discussing the<br />

possible “liaison” between the boat engravings <strong>of</strong> Sc<strong>and</strong>inavia <strong>and</strong> cup<strong>and</strong>-ring<br />

motifs.<br />

M. <strong>van</strong> HOEK: 180<br />

GEOGRAPHY

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