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Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch

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on the coast opposite Muros peninsula, on the Barbanza peninsula, there<br />

is a minor concentration <strong>of</strong> rock art sites at Porto do Son, both groups<br />

marking the entrance <strong>of</strong> the Ria de Muros. This resembles the<br />

situations at Poltalloch, Bute <strong>and</strong> Loch Fyne in Scotl<strong>and</strong>, where also<br />

two groups <strong>of</strong> rock art are found opposite each other at the entrance<br />

<strong>of</strong> an estuary or a l<strong>and</strong>ing place, but also the situations at Millstone<br />

Burn <strong>and</strong> Rothbury in Northumberl<strong>and</strong>, where two groups opposite each<br />

other mark a pass through the hills.<br />

What is completely different from the British Isles, however, is<br />

that the Muros peninsula completely lacks prehistoric monuments<br />

within the region <strong>of</strong> the petroglyphs. <strong>The</strong> special mix <strong>of</strong> menhirs,<br />

burial tombs <strong>and</strong> petroglyphs noted at Kilmartin, is absent.<br />

This absence sets the tone for the whole <strong>of</strong> Galicia; only<br />

incidentally a menhir or burial tomb is located within the same area<br />

as the engraved rocks <strong>and</strong> only in a few cases there also appear<br />

petroglyphs on menhirs (e.g. at A Lapa: Alén & Peña 1980: 83) or<br />

stones in burial structures. In burials, however, mainly angular art<br />

like zigzag-lines predominates. Just possibly one stone slab, Pedra<br />

da Bouza on the Barbanza peninsula, decorated with cup-<strong>and</strong>-rings,<br />

could have been erected to serve as a menhir or once was part <strong>of</strong> a<br />

destroyed burial (Costas, Hidalgo, Veiga & Taboada 1995: 61). <strong>The</strong><br />

Barbanza peninsula is moreover one <strong>of</strong> the few areas in Galicia with<br />

a larger than average concentration <strong>of</strong> burial tombs <strong>and</strong> menhirs,<br />

but is almost devoid <strong>of</strong> circular art. It is however, one <strong>of</strong> the few<br />

coastal areas in Galicia with a large concentration <strong>of</strong> animal<br />

engravings, especially near Rianxo.<br />

1.3.1.1 THE VALDEXERÍA VALLEY<br />

<strong>The</strong> Muros peninsula is a suitable study area to illustrate some <strong>of</strong> the<br />

specific characteristics <strong>of</strong> the distribution <strong>of</strong> Galician rock art in a<br />

coastal position. <strong>The</strong> small group <strong>of</strong> the Pedra da Chula, located in the<br />

Valdexería valley, will serve as a pivotal site <strong>of</strong>fering a lot <strong>of</strong><br />

information, but frequently other sites from outside the Muros<br />

peninsula will be discussed for comparative reasons.<br />

1.3.1.1.1 Most striking about the Pedra da Chula was its<br />

“invisibility” at the time <strong>of</strong> my visit. It took me quite some time to<br />

locate the rock with these complex engravings, whereas nearby I<br />

discovered without difficulty two previously unreported simple<br />

cupmarked rocks before I realised that I had been walking across the<br />

rock with the complex engravings at least three times without noticing<br />

them. This happened because the complex engravings (Fig. 36, inset A)<br />

are rather superficially carved out <strong>and</strong> badly weathered. <strong>The</strong>y<br />

moreover sit on a slab that slopes to the SE facing the escarpment, <strong>and</strong><br />

therefore, in the morning sun, it was only possible to vaguely make out<br />

the patterns <strong>of</strong> the left h<strong>and</strong> figure (Fig. 37). Also, larger rocks<br />

M. <strong>van</strong> HOEK: 59 GEOGRAPHY

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