Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch
Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch
Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch
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1.3.1.2 THE TAXES VALLEY<br />
<strong>The</strong> same pattern is repeated at As Laxiñas in the Taxes valley (marked<br />
II on Fig. 35). Here, faint complex petroglyphs are found on an<br />
inconspicuous outcrop on lower level <strong>and</strong> south <strong>of</strong> a very large outcrop<br />
dome (with a few doubtful single cups as well as a fake cup-<strong>and</strong>-tworings).<br />
<strong>The</strong> whole outcrop complex has a steep scarp to the west <strong>and</strong><br />
<strong>of</strong>fers wide panoramic views across the interior. <strong>The</strong> view towards the<br />
sea is completely blocked, although the general relief map gives the<br />
impression that the Ria de Muros would be visible. From the site the<br />
locations <strong>of</strong> quite a number <strong>of</strong> sites can be made out, but this may be<br />
coincidental. But it is nonetheless most impressive to observe the big<br />
rock <strong>of</strong> As Laxiñas from the Laxe do Carrizo high up the hill slope.<br />
1.3.1.2.1 THE LAXE DO CARRIZO<br />
Large parts <strong>of</strong> the Muros peninsula abound in suitable exposed rock<br />
outcrops. To me this was the most puzzling aspect <strong>of</strong> the distribution<br />
<strong>of</strong> Galician petroglyphs. Why was a certain rock selected in favour <strong>of</strong><br />
many others nearby that are equally or even better suitable ?<br />
This brings me to comment on one <strong>of</strong> the basic premises <strong>of</strong> the study<br />
by Bradley, Criado & Fábregas (1995: 354), who state that “if rock art<br />
had acted a system <strong>of</strong> messages between groups <strong>of</strong> people who were not<br />
present on the same occasions, it is essential that the intended<br />
audience would have been able to find it. That could only have<br />
happened if the carvings had been located in a consistent manner<br />
(emphases mine).” This statement presents two basic problems <strong>of</strong> the<br />
rock art <strong>of</strong> the Muros peninsula in particular <strong>and</strong> Galician rock art in<br />
general, as rock art sites are not distributed according to certain<br />
“rules”, especially not on micro level <strong>and</strong>, moreover, they are definitely<br />
not easy to locate.<br />
Even with the help <strong>of</strong> the directions in the guide by Eiroa & Rey <strong>and</strong><br />
the presence <strong>of</strong> modern (unpaved) roads for easy access <strong>and</strong><br />
orientation <strong>and</strong> the help <strong>of</strong> many locals, it proved to be extremely<br />
difficult to locate some <strong>of</strong> the sites in the field. This not only was<br />
evident at the Pedra da Chula <strong>and</strong> the Cova da Bruxa but also <strong>and</strong><br />
especially at the Laxa do Carrizo, as again not a specific conspicuous<br />
rock had been selected, but one <strong>of</strong> many similar looking smaller<br />
outcrops high upon the steep, rock-strewn hill slope. <strong>The</strong> site indeed<br />
<strong>of</strong>fers impressive views because <strong>of</strong> its high position, but it is<br />
definitely not easy to locate or to access. <strong>The</strong> situation in prehistoric<br />
times will certainly not have been easier.<br />
Also, the ubiquitous dense gorse bushes on this hill slope, also present<br />
at many other places in Galicia, <strong>and</strong> the many irregularly shaped, but<br />
also the <strong>of</strong>ten much sloping smooth outcrops make it extremely<br />
difficult to walk the area, let alone to trace the engravings.<br />
M. <strong>van</strong> HOEK: 66 GEOGRAPHY