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Maarten van Hoek The Geography of Cup-and-Ring ... - StoneWatch

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1.3.1.2 THE TAXES VALLEY<br />

<strong>The</strong> same pattern is repeated at As Laxiñas in the Taxes valley (marked<br />

II on Fig. 35). Here, faint complex petroglyphs are found on an<br />

inconspicuous outcrop on lower level <strong>and</strong> south <strong>of</strong> a very large outcrop<br />

dome (with a few doubtful single cups as well as a fake cup-<strong>and</strong>-tworings).<br />

<strong>The</strong> whole outcrop complex has a steep scarp to the west <strong>and</strong><br />

<strong>of</strong>fers wide panoramic views across the interior. <strong>The</strong> view towards the<br />

sea is completely blocked, although the general relief map gives the<br />

impression that the Ria de Muros would be visible. From the site the<br />

locations <strong>of</strong> quite a number <strong>of</strong> sites can be made out, but this may be<br />

coincidental. But it is nonetheless most impressive to observe the big<br />

rock <strong>of</strong> As Laxiñas from the Laxe do Carrizo high up the hill slope.<br />

1.3.1.2.1 THE LAXE DO CARRIZO<br />

Large parts <strong>of</strong> the Muros peninsula abound in suitable exposed rock<br />

outcrops. To me this was the most puzzling aspect <strong>of</strong> the distribution<br />

<strong>of</strong> Galician petroglyphs. Why was a certain rock selected in favour <strong>of</strong><br />

many others nearby that are equally or even better suitable ?<br />

This brings me to comment on one <strong>of</strong> the basic premises <strong>of</strong> the study<br />

by Bradley, Criado & Fábregas (1995: 354), who state that “if rock art<br />

had acted a system <strong>of</strong> messages between groups <strong>of</strong> people who were not<br />

present on the same occasions, it is essential that the intended<br />

audience would have been able to find it. That could only have<br />

happened if the carvings had been located in a consistent manner<br />

(emphases mine).” This statement presents two basic problems <strong>of</strong> the<br />

rock art <strong>of</strong> the Muros peninsula in particular <strong>and</strong> Galician rock art in<br />

general, as rock art sites are not distributed according to certain<br />

“rules”, especially not on micro level <strong>and</strong>, moreover, they are definitely<br />

not easy to locate.<br />

Even with the help <strong>of</strong> the directions in the guide by Eiroa & Rey <strong>and</strong><br />

the presence <strong>of</strong> modern (unpaved) roads for easy access <strong>and</strong><br />

orientation <strong>and</strong> the help <strong>of</strong> many locals, it proved to be extremely<br />

difficult to locate some <strong>of</strong> the sites in the field. This not only was<br />

evident at the Pedra da Chula <strong>and</strong> the Cova da Bruxa but also <strong>and</strong><br />

especially at the Laxa do Carrizo, as again not a specific conspicuous<br />

rock had been selected, but one <strong>of</strong> many similar looking smaller<br />

outcrops high upon the steep, rock-strewn hill slope. <strong>The</strong> site indeed<br />

<strong>of</strong>fers impressive views because <strong>of</strong> its high position, but it is<br />

definitely not easy to locate or to access. <strong>The</strong> situation in prehistoric<br />

times will certainly not have been easier.<br />

Also, the ubiquitous dense gorse bushes on this hill slope, also present<br />

at many other places in Galicia, <strong>and</strong> the many irregularly shaped, but<br />

also the <strong>of</strong>ten much sloping smooth outcrops make it extremely<br />

difficult to walk the area, let alone to trace the engravings.<br />

M. <strong>van</strong> HOEK: 66 GEOGRAPHY

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