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Il natural desiderio di sapere - Pontifical Academy of Sciences

Il natural desiderio di sapere - Pontifical Academy of Sciences

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ON THE NATURAL DESIRE FOR KNOWLEDGE 117ner that, not only for teaching others, they don’t even know for themselves,unless we want knowledge to be understood as one <strong>of</strong> those lovelyterms that are so <strong>of</strong>ten intoned in the schools.How much further damage is done and how far we are kept behind bythe neglect <strong>of</strong>, as well as the inability to use, the very beautiful and goodamenities 45 which are available to us for study, particularly in this century<strong>of</strong> ours. The field <strong>of</strong> knowledge is truly very great, great for the abundance<strong>of</strong> contemplations and great for the abundance <strong>of</strong> lessons; 46 norshould anyone think that without help and amenities he can make greatpr<strong>of</strong>it by gathering in his mind a vast machine <strong>of</strong> un<strong>di</strong>gested materials oreven by rea<strong>di</strong>ng and ruminating every thing, to then avail himself <strong>of</strong> it forhis own purposes. There are the most copious indexes and repertories,<strong>di</strong>ctionaries, glossaries for all <strong>of</strong> the pr<strong>of</strong>essions, the best writers are<strong>di</strong>gested 47 in common places. There are collections <strong>of</strong> flowers, <strong>of</strong> judgments,<strong>of</strong> actions, and theaters and polyantheas and gardens and variouslaboratories; 48 there are libraries that give us all books already read andjudged, whether we want them in order by author or by subject; there isthe method and art <strong>of</strong> synoptics which, with its types, represents for usboth entire fields <strong>of</strong> knowledge and all their dependencies, conjunctions,<strong>di</strong>visions and unions and con<strong>di</strong>tions, 49 as particularly in our The Mirror <strong>of</strong>Reason 50 we have sought to place everything before the eyes <strong>of</strong> the contemplator,so that at the same time both the most vivid memory and themost acute, awakened, and masterly intelligence can move ahead freely in45 Means, opportunities.46 Contemplations and lessons in the sense, respectively, <strong>of</strong> speculations and writtenworks.47 Collected.48 All <strong>of</strong> these are variations <strong>of</strong> the anthological form, especially important in thisera. A polyanthea was in fact a florilegium.49 This is another very important theme <strong>of</strong> the culture <strong>of</strong> the time, which appearsnumerous times in Cesi’s works, as he himself here observes. The mnemotechnical terminologyused here in<strong>di</strong>cates in a very detailed way the various internal bonds and separationswithin human knowledge and in nature itself, comprehended and assimilated,therefore, thanks to this technique that reflects and reveals the order reigning in it. Thetheme has been thoroughly examined: see at least the classic work <strong>of</strong> P. Rossi, Clavis universalis,Milano-Napoli 1960.50 The Speculum rationis, on which cf. G. Gabrieli, L’orizzonte intellettuale e morale<strong>di</strong> Federico Cesi illustrato da un suo zibaldone ine<strong>di</strong>to, in Contributi alla storiadell’Accademia dei Lincei, Roma 1989, pp. 29-77, at pp. 30-35.

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