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The psychopathology of everyday art: a quantitative Study - World ...

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potential for psychiatric populations, and have the advantage <strong>of</strong> being easier to define and<br />

rate 242 .<br />

<strong>The</strong> next stage, the development <strong>of</strong> a test takes on the problems <strong>of</strong> reliability,<br />

content validity and ambiguity <strong>of</strong> definition <strong>of</strong> the objective phenomena for the purpose<br />

<strong>of</strong> testing these findings. It dismissed, as far as possible, interpretation by the rater <strong>of</strong><br />

the intention <strong>of</strong> the <strong>art</strong>ist, used simple terms relative to the work which were widely<br />

distinct from each other and the minimum number <strong>of</strong> categories to describe the work. <strong>The</strong><br />

Descriptive Assessment for Psychiatric Art (DAPA), uses a method which fragments the<br />

<strong>art</strong> object into a collection <strong>of</strong> mostly formal variables. This research tries to answer one<br />

important question which unfolded, but has not been fully answered from the review; is<br />

psychopathological evidence from <strong>art</strong>work sensitive?<br />

242 For example, Wadlington and McWhinnie (1973) revised their unreliable 18 variable scale which relied<br />

on aesthetic (and therefore content based) terms, to 4 formal dimensions which indicated reliable and<br />

distinguishable categories.<br />

184

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