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The psychopathology of everyday art: a quantitative Study - World ...

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neglected as a matter <strong>of</strong> course now for <strong>art</strong>-therapy 'referrals', is that the <strong>art</strong> must elicit<br />

spontaneously from the patient 38 . MacGregor makes the point that he discusses little<br />

<strong>of</strong> the contribution <strong>of</strong> <strong>art</strong> therapists to the history <strong>of</strong> investigation <strong>of</strong> the image making<br />

<strong>of</strong> psychotic individuals, "<strong>The</strong> interference <strong>of</strong> individuals with minimal training in either<br />

psychiatry or psychotherapy cannot be seen as an advantage" 39 , although he goes on to<br />

point out that a full psychoanalytic training with <strong>art</strong> skills makes a valuable contribution<br />

to the therapeutic milieu, giving the example <strong>of</strong> Margaret Naumberg, psychoanalyst and<br />

generally acknowledged as the inventor <strong>of</strong> American psychodynamic <strong>art</strong> therapy 40 .<br />

Demonstrations <strong>of</strong> the therapeutic ineffectiveness <strong>of</strong> psychoanalytic treatment<br />

have led to a loss <strong>of</strong> confidence in the theory, but it at least <strong>of</strong>fers a framework <strong>of</strong><br />

happening"; Paola Luzzatto (1989), Drinking problems and short-term <strong>art</strong> therapy: working with images<br />

<strong>of</strong> withdrawal and clinging, in Andrea Gilroy and Tessa Dalley, eds., op.cit., pp.207-219 discusses<br />

treatment <strong>of</strong> 2 patients who were also attending group therapy, through interpretation "linking behaviour<br />

and feelings - past and present" and confrontation "allowing, or even encouraging, the exploration <strong>of</strong><br />

alternative ways <strong>of</strong> defence" in only 11 hours <strong>of</strong> <strong>art</strong> therapy by "stimulating free associations to the image".<br />

She assumes transference to the imagery and supports her views with a variety <strong>of</strong> noncontextual references,<br />

assumes a therapeutic relationship, and none <strong>of</strong> the interpretations <strong>of</strong> imagery or counselling relates to the<br />

patient's drinking, but to "underlying problems". She discusses the anger <strong>of</strong> her second patient who "had<br />

<strong>art</strong> therapy chosen for him". <strong>The</strong> images were recognised by the patients as symbolic <strong>of</strong> their own attitude.<br />

38<br />

Margaret Naumberg (1947) Studies <strong>of</strong> the free <strong>art</strong> expression <strong>of</strong> behaviour disturbed children as a means<br />

<strong>of</strong> diagnosis and therapy , New York: J.Nervous Mental Dis. Monographs, Cooleridge Foundn.; (1950)<br />

Schizophrenic Art, Its meaning in Psychotherapy New York: Grune Stratton; Art <strong>The</strong>rapy: its scope and<br />

function in E.F. Hammer, ed. (1958), Clinical Applications <strong>of</strong> Projective D rawing , Springfield: Thomas;<br />

(1966) Dynamically Orientated Art <strong>The</strong>rapy: Its Principles and Practices New<br />

York: Grune Stratton; and Marion Milner 1969, op.cit., were both very specific that the patient should<br />

come spontaneously to <strong>art</strong> and not be given standard exercises.<br />

39 MacGregor (1989), op.cit. p.311.<br />

40<br />

Margaret Naumburg, (1947, 1950, 1958, 1966, op.cit.); Kris was p<strong>art</strong>icularly conscious <strong>of</strong> the<br />

psychoanalytically orientated form <strong>of</strong> <strong>art</strong> therapy developed by Naumburg and refers to it as providing<br />

detailed case material "I believe that future students <strong>of</strong> this question will be strongly impelled to draw on<br />

the material so carefully presented by Naumburg. In no other similar publication <strong>of</strong> which I know is there<br />

for instance, an equal opportunity to compare graphic and verbal productions <strong>of</strong> one patient", Kris (1953),<br />

Review <strong>of</strong> Schizophrenic Art, by Margaret Naumberg Psychoanalytic Qu<strong>art</strong>erly V.22: 98-101. Kris also<br />

makes reference to H.G. Baynes (1940) op.cit. as providing an example <strong>of</strong> the Jungian approach to the<br />

same problem.<br />

27

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