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The psychopathology of everyday art: a quantitative Study - World ...

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diagnosis and therapy with psychiatric groups, which probably represents the common<br />

knowledge <strong>of</strong> the field. Amos gives the qualification that hypotheses are <strong>of</strong> little<br />

consequence without corroboration from other factors so there is very little emphasis on<br />

this speculation where differences are not obvious.<br />

Table 2: Interpretations <strong>of</strong> the use <strong>of</strong> colour in <strong>art</strong>istic productions: from S.P. Amos.<br />

Colour Interpretation<br />

Red<br />

Yellow<br />

Orange<br />

Blue<br />

Green<br />

Violetred<br />

Purple<br />

Black<br />

White<br />

Self, ego development, active relation to reality, physicalemotional<br />

balance.<br />

Inner emotionalism, frustration, threat to ego, identity with violent<br />

inner forces.<br />

Aggressive resistance to dependency.<br />

Alo<strong>of</strong>ness, lack <strong>of</strong> emotionality, spirituality, overtly controlled,<br />

emotional blocking.<br />

Suffering, resisting emotion, positive, dogmatic, insecure.<br />

<strong>The</strong> psycho-sexual self, lack <strong>of</strong> proper sexual identification,<br />

troubled by sexual drives, emotionalism tied to sexual<br />

frustrations.<br />

Passivity, uninvolved, tendency to depression, may represent<br />

paranoid tendencies.<br />

Absence <strong>of</strong> extrinsic emotion, hostility, bound, denying,<br />

aggressive, fearful.<br />

Negation <strong>of</strong> both physical and emotional being, passivity,<br />

receptiveness, spiritualness.<br />

<strong>of</strong> interpretation and <strong>art</strong> therapy (Vol.2) New York: Karger, tabulated by in S.P. Amos, (1982) op.cit.<br />

279

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