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The psychopathology of everyday art: a quantitative Study - World ...

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the content <strong>of</strong> which was seemingly dependent on the pathological depths <strong>of</strong> the patient,<br />

and the more contact the patient had, the more the need to draw diminished 32 . Among<br />

other influential case studies was that <strong>of</strong> a woman who could draw but not speak about<br />

her painful emotional experiences, by the Australian psychiatrist, Meares 33 , and another<br />

by Jungian psychiatrist, Baynes 34 , paralleling the clinical techniques <strong>of</strong> therapeutic <strong>art</strong><br />

practice in the 1940-50s. Recent traditional psychoanalytic works have not dep<strong>art</strong>ed<br />

from this type <strong>of</strong> careful in-depth study 35 and there is further promise <strong>of</strong> development<br />

from new theoretical structures, such as from the writings <strong>of</strong> Lacan 36 .<br />

<strong>The</strong> overriding agreement in all serious psychoanalytic writing is that it is time-<br />

consuming, p<strong>art</strong>icularly in the development <strong>of</strong> a relationship, and there can be few<br />

immediate results, but this important qualification is disregarded by many <strong>art</strong> therapy<br />

perspectives <strong>of</strong> these techniques 37 , another qualification from psychoanalytic literature,<br />

32 An observation which has generally been ignored by her later followers.<br />

33<br />

Ainslie Meares (1958), <strong>The</strong> Door <strong>of</strong> Serenity .<br />

34<br />

H. G. Baynes (1940), Mythology <strong>of</strong> the Soul London: Tindall Cox.<br />

35<br />

A recent example is the 20 year analysis <strong>of</strong> a female patient "recovering a hidden <strong>art</strong>istic talent" and the<br />

discussion <strong>of</strong> theories arising from the paintings; Margaret I. Little (1997), Miss Alice M. and her Dragon ,<br />

New York: Binghampton.<br />

36 Lacan's esoteric ideas have made a massive impact on most aspects <strong>of</strong> psychoanalysis, especially his<br />

reinterpretations <strong>of</strong> Freud. When it is possible to assess how Lacan's later view <strong>of</strong> the image, as a separate<br />

category, fits in with his theory <strong>of</strong> signifiers, it may <strong>of</strong>fer much to the study <strong>of</strong> <strong>psychopathology</strong> through<br />

systems other than language, J. Lacan (1988) <strong>The</strong> Topic <strong>of</strong> the Imaginary, in J.A. Miller (ed.), <strong>The</strong><br />

Seminar <strong>of</strong> Jacques Lacan , Book 1 (trans. Forrester), Cambridge U.P.; Bruce Fink (1995), <strong>The</strong> Lacanian<br />

Subject , Oxford: Princeton U.P.<br />

37 see these examples from collected essays edited by well-respected <strong>art</strong>-therapy authors and lecturers (who<br />

do not expound these views themselves): Sheila McClelland (1992), Brief Art <strong>The</strong>rapy in Acute States:<br />

a process oriented approach, in Waller and Gilroy op.cit., pp.189-207, <strong>The</strong> author claims to draw on the<br />

work <strong>of</strong> Dr. Mindell on process science and psychological interventions in psychiatry and the personal<br />

construct work <strong>of</strong> G.A. Kelly (1955). She interprets many <strong>of</strong> the typical features <strong>of</strong> work presented by<br />

psychotic and neurotic referrals and recommends 1. rapid establishment <strong>of</strong> rapport, 2. maintaining a focus,<br />

3. Active assertive therapist style and 4. anticipating the ending, but qualifies that considerable training<br />

is needed. This method is described as "a minimal intervention as it aims to draw forth what is already<br />

26

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