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The psychopathology of everyday art: a quantitative Study - World ...

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application to large numbers. Projective tests are claimed to detect hurt, anxiety,<br />

depression and psychiatric disturbance 57 , however, individual interpretation <strong>of</strong> the<br />

elements by the therapist is essential, since operational definitions are <strong>of</strong>ten ambiguous<br />

or non-existent.<br />

<strong>The</strong> projective <strong>art</strong> test assumes that a given drawing represents the self and that<br />

dysfunction in perception <strong>of</strong> the self will reflect in dysfunction <strong>of</strong> that representation.<br />

This externalising function <strong>of</strong> drawing is very important clinically as it presents a way<br />

<strong>of</strong> communicating outside language. Most projective <strong>art</strong> tests use the human figure. <strong>The</strong><br />

draw-a-person test 58 is a popular intelligence test for IQ or ability measures in normal<br />

children. It uses a friendly medium which is well understood by a child, is not dependent<br />

on language skill and the drawing is rated by a total sum <strong>of</strong> the recognisable p<strong>art</strong>s <strong>of</strong> a<br />

figure. Although developed for children, it is regularly used for adult psychiatric patients,<br />

for which population it is yet to prove reliable, since although it correlates highly with<br />

other developmental tests, it consistently over or under estimates individual scores in<br />

normal populations 59 .<br />

57<br />

see Abell et al, (1994) op.cit. for a review; K.G. Aikman, R.W. Belter and A.J. Finch (1992) Human<br />

Figure Drawings: Validity in assessing intellectual level and academic achievement, J.Clin Psychol. ,<br />

V.48(1):114-120) tested 216 child and adolescent psychiatric patients and found more than half<br />

misclassified. Goodenough herself provides an appendix chapter speculating on the distortions expected<br />

in psychiatric populations (1926, op.cit.).<br />

58<br />

see D. Harris (1963), Children's drawings as measures <strong>of</strong> intellectual maturity , New York: Harcourt<br />

Brace, p.12-36 for a review <strong>of</strong> the early descriptive and developmental studies; the best known is the<br />

Goodenough-Harris Draw-a-man scale, (F.L. Goodenough and D.B. Harris (1963), <strong>The</strong> Goodenough-Harris<br />

Drawing Test , New York: Harcourt, Brace, which revised and extended studies by Florence Goodenough<br />

(1926) Measurement <strong>of</strong> Intelli gence by Drawings , New York: Harcourt Brace.<br />

59<br />

S.C. Abell, A.M. Heiberg and J.E. Johnson (1994), Cognitive Evaluation <strong>of</strong> Young Adults by Means<br />

<strong>of</strong> Human Figure Drawings: an empirical validation <strong>of</strong> 2 methods, J. Clin. Psychol. , V.50(6):900-5; for<br />

a review see L. Slansky, M. Short-Degraff (1989), Validity and Reliability issues with Human Figure<br />

Drawing Assessments, Physical and Occupational <strong>The</strong>rapy in Paediatrics , V.9(3):127-142; and G.H.<br />

Fabry, and J.E. Bertinetti (1990), A Construct Validation <strong>Study</strong> <strong>of</strong> the Human Figure Drawing Test,<br />

33

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