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The psychopathology of everyday art: a quantitative Study - World ...

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This section does not deal strictly with form as there were overlaps between what was<br />

observed and what was recognised in depicted material, that were impossible to separate.<br />

This group <strong>of</strong> studies, however, was qualitatively distinct from those categorised as<br />

content analysis because the findings were primarily to do with observable changes in the<br />

<strong>art</strong>work <strong>of</strong> the patient. Art therapy reports commonly focused upon the content <strong>of</strong> the<br />

<strong>art</strong>work to describe individual variation in the <strong>art</strong>work <strong>of</strong> the patients rather than<br />

collective. <strong>The</strong>ir style <strong>of</strong> reporting <strong>of</strong>ten neglected the objective findings to concentrate<br />

on the analysis <strong>of</strong> meaning. <strong>The</strong> categorisation here thus may actually contradict the<br />

theoretical orientation expressed by the authors <strong>of</strong> some <strong>of</strong> these papers. 3 papers using<br />

mixed groups <strong>of</strong> 'psychiatric patients' accounted for 65% <strong>of</strong> the total cases and their<br />

general findings are described first.<br />

General signs <strong>of</strong> psychiatric disturbance<br />

General signs were summarised seperately (Table 5, appendix 2). <strong>The</strong>re were three<br />

general indications <strong>of</strong> psychiatric status:<br />

(1) distortion <strong>of</strong> figures;<br />

(2) odd placing <strong>of</strong> drawing elements;<br />

(3) circling behaviour.<br />

Specific diagnostic signs<br />

Table 6 (appendix 2) summarised studies which reported specific diagnostic signs in the<br />

analysis <strong>of</strong> formal <strong>art</strong>work.<br />

76

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