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The psychopathology of everyday art: a quantitative Study - World ...

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<strong>The</strong>re would be a correlation between all or most <strong>of</strong>: emotional tone, hue,<br />

intensity and form reflecting increased aesthetic harmony with greater structure<br />

and positivity <strong>of</strong> the picture.<br />

Between blue and brown reflecting their neutral status.<br />

Painted line would negatively correlate with drawn line because patients used little<br />

painted and more drawn line.<br />

Differences between groups - Colour<br />

<strong>The</strong> focus is on the most important findings: Black differentiated substance abusers from<br />

all other groups and schizophrenia from 3 other groups; green differentiated controls from<br />

3 other diagnostic groups. Additionally, there were differences in colour associations<br />

between diagnostic groups; Figure 3 summarises these relations. Art therapy research<br />

has provided support for the assumption <strong>of</strong> a consistent relationship between colour and<br />

emotion 294 , so the work <strong>of</strong> people with psychiatric disorders, which are <strong>of</strong>ten<br />

characterised by mood disorder should differ from normal controls. It has been suggested<br />

that colour usage is related to the adequacy <strong>of</strong> individual resources for integrating affective<br />

experience 295 , a facility rarely developed in schizophrenics, so within group differences<br />

should be expected. Presented here is a summary (table 2) by Amos, <strong>of</strong> the work <strong>of</strong><br />

Tarmo Pasto, 1968 296 , empirically developed from experience with the use <strong>of</strong> <strong>art</strong> in<br />

294<br />

Bernard I. Levy (1984), Research into the psychological meaning <strong>of</strong> colour, Am. J. Art <strong>The</strong>rapy , V.23,<br />

(reprinted from V.19, July 1980, pp.87-91).<br />

295<br />

D. Rapaport, M. Gill and R. Schafer (1946), Diagnostic Psychological Testing , Chicago: Year Book<br />

Publishers.<br />

296<br />

Tarmo Pasto (1968), <strong>The</strong> bio-mythology <strong>of</strong> colour: a theory, in I. Jakob, ed., Psychiatry and <strong>art</strong>: Art<br />

278

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