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The psychopathology of everyday art: a quantitative Study - World ...

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communication, but ignored the fact that these paintings apparently represented highly<br />

successful communications <strong>of</strong> content. <strong>The</strong> act <strong>of</strong> illustrating coherently and effectively<br />

in a familiar medium was not usually impaired.<br />

Conclusion<br />

Artists are hard to work with and the meagre evidence suggests <strong>art</strong> therapists do not feel<br />

comfortable with their technical skill. It is difficult to assess how many actually<br />

succeeded in using <strong>art</strong> for therapy (despite the reporting) as the analytic process rests on<br />

an unconscious use <strong>of</strong> compositional relationships, where an <strong>art</strong>ist is all too aware. <strong>The</strong><br />

evidence suggests <strong>art</strong>ists too are uncomfortable with this use <strong>of</strong> their work 111<br />

(pr<strong>of</strong>essionally, their own explanations are rarely accepted as the best interpretations).<br />

<strong>The</strong> style and aim <strong>of</strong> these studies relates to speculations on a possible positive<br />

aesthetic effect on creative output, thus is contradictory to that <strong>of</strong> studies <strong>of</strong> untrained<br />

psychiatric patients which tries to identify visual elements <strong>of</strong> individual<br />

<strong>psychopathology</strong> from the work. That <strong>art</strong> has therapeutic qualities is mentioned, but<br />

although the benefits <strong>of</strong> expression as a way <strong>of</strong> externalising conflict and communicating<br />

with the unconscious are described in both cases, there seems no supporting evidence<br />

relating concrete visual elements to remission <strong>of</strong> symptoms or better communication in<br />

other forms for the <strong>art</strong>ist.<br />

111<br />

Leslie Gertler (1985) <strong>The</strong>rapy with an aging <strong>art</strong>ist, Am. J. Art <strong>The</strong>rapy , V.23(3):93-9 (study 28),<br />

recommends methods <strong>of</strong> removing the concerns <strong>of</strong> content, as does D.C. Muenchow, J. Aresenian (1974)<br />

An <strong>art</strong>ist in turmoil during <strong>art</strong> therapy, Am. J. Art <strong>The</strong>rapy , V.14(1):18-23 (study 29); <strong>The</strong> author <strong>of</strong> study<br />

9, too, advises readers that the work <strong>of</strong>ten goes beyond the interpretation <strong>of</strong> the <strong>art</strong>ist.<br />

63

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