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The psychopathology of everyday art: a quantitative Study - World ...

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Differences between groups - Space<br />

<strong>The</strong>re wasn't as much variation as expected between the controls and the patients and no<br />

other variable had an effect on space left uncovered in the picture. Small but significant<br />

differences existed, but all groups' paintings lay within the 25-55% space bandwidth and<br />

no group consistently left large amounts <strong>of</strong> empty space. <strong>The</strong>se findings are curious in<br />

view <strong>of</strong> the reports from the literature which diverge widely so some explanation is<br />

needed.<br />

I have already indicated the variety <strong>of</strong> definition <strong>of</strong> space in the literature, the<br />

most common is perspectival space. Psychiatric patients have been distinguished from<br />

controls on dimensionality <strong>of</strong> elements or deformation <strong>of</strong> perspective 322 , but traditional<br />

views <strong>of</strong> disintegration <strong>of</strong> perspective, especially in schizophrenic <strong>art</strong> have latterly been<br />

challenged 323 , although some latter-day studies have also found differences in odd placing<br />

<strong>of</strong> elements and objects or figures 'floating in space' 324 . <strong>The</strong> general understanding <strong>of</strong> this<br />

'space' is difficult to define because it assumes that paper left uncovered is orientated<br />

322 Patient groups are differentiated from controls: for example, the SPAR scale found that patients with<br />

personality disorder scored lower than normal controls on perspectival space (Bergland and Gonzalez<br />

(1993, op.cit.); Miljkovitch and Irvine (1982 op.cit.) found no differences between schizophrenics and<br />

other patients but poor performance generally on space from all patients, and schizophrenics were more<br />

likely to draw planned views than others.<br />

323 Amos (1982) op.cit., reviews most <strong>of</strong> the essential 1960s and 1970s literature which characterise<br />

schizophrenic disintegration <strong>of</strong> hierarchical perspective, proportion and logical spatial organisation under<br />

the subheading <strong>of</strong> 'composition'; Russell-Lacy et al. (1979 op.cit.) found schizophrenics used more two<br />

dimensional space than normal controls although they weren't differentiable from patient controls.<br />

Disagreement in later views: Wadeson's table <strong>of</strong> characteristics <strong>of</strong> schizophrenia, depression and mania<br />

report disorganisation, disturbed spatial organisation, disintegration for schizophrenia agree with Amos,<br />

but her own experiments (1976) with schizophrenics showed wide variations (cited in Wadeson 1980,<br />

op.cit. p.190-192); Gantt's experiments with the FEATS study show no differences in use <strong>of</strong> perspectival<br />

space between 5 groups including controls (1990 op.cit.).<br />

324<br />

Cohen, Hammer and Singer (1988) op.cit.; Bergland and Gonzalez (1993), op.cit.; J.B. Couch (1994),<br />

<strong>The</strong> Diagnostic Drawing Series: research with older people diagnosed with organic mental syndromes and<br />

disorders, Art <strong>The</strong>rapy , V.20(3):231-241.<br />

297

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