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The psychopathology of everyday art: a quantitative Study - World ...

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molar level and not by individual elements. Thus we can also look to this literature for<br />

an answer. It is this very independence <strong>of</strong> the whole from its p<strong>art</strong>s that Gestalt is<br />

initially attempting to explain 54 . But, because the effects <strong>of</strong> a complex system cannot be<br />

predicted from its p<strong>art</strong>s, it does not mean that the appropriate relations cannot be<br />

found 55 .<br />

Projective testing<br />

<strong>The</strong> projective drawing test has evolved from the search for emotional and<br />

psychiatric 'indicators', inferred from the acknowledged unreliability in scoring on<br />

intelligence measures in psychiatric populations. Psychoanalytic writings describe how<br />

traits and emotions from the disturbed person are ascribed to another (projection).<br />

Projection accompanies a refusal to acknowledge the projected feelings (denial). It<br />

functions as a defence mechanism 56 to protect the individual from repressed anxiety and<br />

conflicts. A projective test is NOT designed to probe the unconscious, but to provide<br />

a forum where desires, needs, beliefs and attitudes are revealed which may not be<br />

consciously known. It systematically assigns emotional, symbolic or expressive value<br />

to p<strong>art</strong>icular ways <strong>of</strong> marking a painting, or to p<strong>art</strong>icular images. <strong>The</strong> advantage <strong>of</strong><br />

projective tests over the unstructured single case method is in their systematic<br />

54 <strong>The</strong> Gestalt concept "has become the explanatory principle from which as a primary given fact, the<br />

phenomena may be deduced", Petermann (1932) op.cit., p.49.<br />

55<br />

Nagel (1952), op.cit. p.140 comments on criterion from Kohler, 1924, who proposes the same argument,<br />

paraphrased by Hogg (1969), loc.cit.<br />

56 Mary Levens (1989), Working with defence mechanisms in <strong>art</strong> therapy, in Gilroy and Dalley, op.cit.<br />

p.143-6 gives a good description <strong>of</strong> defence mechanisms.<br />

32

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