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cuentos de barro - DSpace Universidad Don Bosco

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TraNquera<br />

Como el alfarero <strong>de</strong> Ilobasco mo<strong>de</strong>la sus<br />

muñecos <strong>de</strong> <strong>barro</strong>: sus viejos <strong>de</strong> cabeza<br />

temblona, sus jarritos, sus molen<strong>de</strong>ras,<br />

sus gallos <strong>de</strong> pitiyo, sus chivos patas <strong>de</strong><br />

clavo, sus indios cacaxteros1 y en fin,<br />

sus batidores panzudos; así, con las<br />

manos untadas <strong>de</strong> realismo; con toscas<br />

manotadas y uno que otro sobón rítmico,<br />

he mo<strong>de</strong>lado mis Cuentos <strong>de</strong> Barro.<br />

Después <strong>de</strong> la hornada, los más rebel<strong>de</strong>s<br />

salieron con pedazos un tanto crudos;<br />

uno que otro se <strong>de</strong>scantilló; éste salió<br />

medio rajado y aquél boliado dialtiro;<br />

dos o tres se hicieron chingastes.<br />

Pobrecitos mis <strong>cuentos</strong> <strong>de</strong> <strong>barro</strong>... Nada<br />

son entre los miles <strong>de</strong> <strong>cuentos</strong> bellos que<br />

brotan día a día; por no estar hechos en<br />

torno, van <strong>de</strong>formes, toscos, viciados;<br />

porque, ¿qué saben los nervios <strong>de</strong> línea<br />

pura, <strong>de</strong> curva armónica? ¿Qué sabe el<br />

rojizo tinte <strong>de</strong> la tierra quemada <strong>de</strong> lakas<br />

y barnices?; y el palito rayador, ¿qué sabe<br />

<strong>de</strong> las habilida<strong>de</strong>s <strong>de</strong>l buril?... Pero <strong>de</strong>l<br />

<strong>barro</strong> <strong>de</strong>l alma están hechos; y don<strong>de</strong><br />

se sacó el material un hoyito queda, que<br />

cU e n t o s /tA l e s<br />

17<br />

caTTle GaTe<br />

As the potter of Ilobasco 2 sculpts his<br />

figures of clay: his old people with shaky<br />

heads, his little pitchers, his women<br />

going to the mill, his rooster-whistles,<br />

his goats crafted with legs of nails, his<br />

figures of indigenous people carrying<br />

cacaxtes 3 on their backs, and even his<br />

figures of burly men beating mixtures<br />

for cattle, for bread, for sugar mills...<br />

Just like that, with realism all over his<br />

messy hands; I have mol<strong>de</strong>d my Tales<br />

of Clay with cru<strong>de</strong> touches here, and<br />

rhythmic touches there.<br />

After the kiln, the most rebellious ones<br />

came out with some pieces rather raw.<br />

There were others that broke; this one<br />

came out a little cracked, and that one<br />

came out bad; two or three shattered<br />

into a hundred pieces.<br />

Oh my poor tales of clay... They are<br />

nothing among the thousands of<br />

beautiful tales that sprout daily. Since<br />

they were not ma<strong>de</strong> on a potter’s wheel,<br />

they go into the world <strong>de</strong>formed, coarse,<br />

marred; because, what do his nerves<br />

know about pure lines, about harmonic<br />

curves? 4 What does the reddish tint of<br />

burned clay know about lacquer and<br />

varnishes? And the little stick that<br />

makes figures, what does it know<br />

1. RAE: cacastle. (Del nahua cacaxtli, armazón). 1. m. El Salv., Guat., Hond. y Méx. Armazón <strong>de</strong> ma<strong>de</strong>ra para<br />

llevar algo a cuestas.<br />

2. Town in Central El Salvador known for producing the best pottery in the country.<br />

3. A woo<strong>de</strong>n frame worn on someone’s back to carry goods.<br />

4. In physics, Harmonic curve or sine curve is a pictorial representation of a harmonic motion. Harmonic<br />

motion is the movement of an object that repeats its motion over and over again.

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