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cuentos de barro - DSpace Universidad Don Bosco

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De pie en el portal, el santo, todo<br />

vestido <strong>de</strong> negro y blanco, miraba<br />

lánguidamente tras el vidrio <strong>de</strong>l<br />

camarín. Tenía en una mano una bomba<br />

<strong>de</strong> anarquista, y en la otra un libro como<br />

un ladrillo; a sus pies, un chuchito <strong>de</strong><br />

circo. Su rostro era lampiño, a pesar <strong>de</strong><br />

la barba postiza <strong>de</strong> ma<strong>de</strong>ra. Era calvo el<br />

pobre; y miraba como con hambre.<br />

Agruelio lo amaba; se parecía algo a<br />

él, <strong>de</strong> tanto contemplarlo. Se robaba<br />

las can<strong>de</strong>las <strong>de</strong>l Niño <strong>de</strong> Atocha (que<br />

era el menos respetable, por lo cipote)<br />

y se las iba a poner a su patrono. Tenía<br />

celos <strong>de</strong> una vieja, que le disputaba la<br />

predilección. La vieja le a<strong>de</strong>lantaba en<br />

limosnas. En aquel rincón oscuro, se<br />

marchitaban hasta las rosas <strong>de</strong> papel.<br />

El llanto <strong>de</strong> las can<strong>de</strong>las se había<br />

cuajado en la mesa <strong>de</strong> lata. Los rezos<br />

habían atraído algunas avispas, que<br />

panaleaban en las cornisas.<br />

* * *<br />

Aquella madrugada, Agruelio se había<br />

levantado como siempre, a impulso <strong>de</strong><br />

su presentimiento <strong>de</strong> gallo que conoce<br />

la vecindad <strong>de</strong>l sol. Entró a la iglesia<br />

con un portazo. Anduvo preparando el<br />

vino para la misa <strong>de</strong> cinco. Luego fue,<br />

taconeando, a encen<strong>de</strong>r las can<strong>de</strong>las.<br />

Dejó la vara en un rincón y subió al<br />

campanario para dar el primer toque.<br />

57<br />

Standing at the portal behind the glass<br />

closet in the altar, the saint, dressed all<br />

in black and white, gazed out languidly.<br />

In one hand he was holding an anarchist<br />

bomb, and on the other, a book like<br />

a brick. At his feet, there was a circus<br />

doggy. St. Dominic’s face was hairless,<br />

except for his fake woo<strong>de</strong>n beard. He<br />

was pitifully bald, and he stared out as<br />

if he were hungry.<br />

Aurelio loved him. After en<strong>de</strong>lessly<br />

staring at him so much, he could see<br />

a likeness to himself. He would steal<br />

the candles from the Niño <strong>de</strong> Atocha<br />

image 121 (who was the least respected<br />

because he was just a boy) and bring<br />

them to his patron saint. He was<br />

jealous of a lady who challenged his<br />

predilection. The old woman usually<br />

surpassed him in the giving of alms.<br />

In that dark place even paper roses<br />

would wither. The tears of the candles<br />

had coagulated on the tin table. The<br />

prayers had attracted some wasps that<br />

were diligently making a honeycomb<br />

in the cornices.<br />

* * *<br />

That dawn Aurelio woke as usual as<br />

an impulse due to his prescience of a<br />

rooster that knows the sun’s realm. He<br />

entered the church and slammed the<br />

door. He began to prepare the wine<br />

for the morning mass held at five. His<br />

shoes clomping, he went to light the<br />

candles, placing the candle stick in the<br />

corner and climbed up to the belfry to<br />

give the first peal.<br />

121. It is believed that a miracle boy (i.e. Jesus) from Atocha, Spain, helped feed the Christians who were<br />

prisoners un<strong>de</strong>r the Moors conquest in the 13th century.

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