THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat
THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat
THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat
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example of a consciously constructed Russian book of poems. It is important, however,<br />
to be aware of the huge popularity of the cycle at the turn of the century. Beginning with<br />
Bal’mont’s В безбрежности and Bryusov’s Chefs d’oeuvre in 1895, the period that<br />
some claim as the origin of “genuine” lyric cycles, almost all major volumes of lyric<br />
poetry are composed of cyclic groupings. Thus, the cycle plays a major role in the<br />
organization of the early twentieth-century book of poems.<br />
In order to explain the prominent role of the cycle at the turn of the century, Z.G.<br />
Mints looks to the mythopoetic nature of the younger generation of symbolists. She<br />
claims that in some cases the cycle has become "the functional equivalent of a 'poemamyth'"<br />
(своебразный функциональный заместитель «поэмы-мифы»). Its potential for<br />
generating plot mimics the myth’s narrative dynamic. 13<br />
Vroon echoes this notion of<br />
myth creation, arguing that symbolist cycles are often expressions of historiographic<br />
models that allow current events to take on epic proportions. 14<br />
Vroon argues that such<br />
cycles are non-narrative, 15 but he appears to equate narrative with a chronological<br />
representation of events. I explore a more expansive narrative tendency in the book of<br />
poems, perhaps best captured in the Russian term “последовательность”—a progressive<br />
movement over the course of the cycle or book of poems. Vroon clearly identifies this<br />
progressive element in Blok’s and Voloshin’s “non-narrative” historiographic cycles.<br />
13 Z.G. Mints, "O nekotorykh «neomifologicheskikh» tekstakh v tvorchestve russkikh simvolistov," in<br />
Tvorchestvo A.A. Bloka i russkaia kul'tura XX veka: Blokovskii sbornik III. (Tartu: Uchenye zapiski<br />
Tartusokogo gosudarstvennogo universiteta, 1979), vol. 459, 77.<br />
14 Ronald Vroon, "Cycle and History: Maksimilian Vološin's 'Puti Rossi'," Scando-Slavica 31 (1985): 59-<br />
61.<br />
15 Ronald Vroon, "Cycle and History: The Case of Aleksandr Blok's Rodina," Slavic and East European<br />
Journal 28, no. 3 (Fall 1984): 340-1.<br />
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