THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat
THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat
THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat
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you wouldn't have endured the red lace.<br />
But you and the city are both in the grave,<br />
you are silent, Petersburg is silent.<br />
Who will push the stone off the grave?<br />
Lord, Lord: it already stinks…<br />
Who? Not Peter. Not water. Not flame.<br />
Someone is near. He will call.<br />
And out will come the one wrapped in shrouds:<br />
"Loose him. Let him go."<br />
Like "Eternité Frémissante" and "Равнодушие," "Лазарь" suggests the passage of<br />
a considerable amount of time. The poem was first published under the title "Рыжее<br />
кружево (о Петербурге)" in 1923 and dated 8 November (Gippius's birthday), 1922. In<br />
Сияния, however, Gippius not only changed the title to the more universal "Лазарь," but<br />
she included the dates 1918-1938 at the end of the poem, making it one of only two<br />
"dated" poems in the book. While Gippius made a few minor changes to the 1923<br />
version in addition to the new title, the poem is largely the same. The dates thus do not<br />
reflect a twenty-year period of work on the poem, but rather suggest the poem's lasting<br />
effect from 1918 to 1938—from the fall of Russia to the Bolsheviks to the current year,<br />
the time of the publication of Сияния. "Лазарь" thus spans the entire period of Сияния,<br />
marked as both its youngest and oldest poem. All this time, Petersburg has been slowly<br />
decaying; Peter has been rotting away silently on his horse, incapable of resurrecting his<br />
city, covered with the red lace of blood; the poet continues to beg God for the<br />
resurrection of her native land. Russia and the poet still require a spiritual revolution—a<br />
return to the simple truth of Christ who will come and call for all of Petersburg to be<br />
released, as Lazarus was.<br />
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