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THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat

THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat

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and the ocean holds the fish. While the historian can not see this, the madman in the next<br />

lines (59-66) does:<br />

И с ужасом и с тайным сладострастьем<br />

Следит безумец, как между минувшим<br />

И будущим, подобно ясной влаге,<br />

Сквозь пальцы уходящей, —непрерывно<br />

Жизнь утекает. И трепещет сердце,<br />

Как легкий флаг на мачте корабельной,<br />

Между воспоминаньем и надеждой—<br />

Сей памятью о будущем…<br />

With both horror and secret pleasure<br />

The madman tracks how between the past<br />

And the future, like a clear liquid<br />

Which slips through your fingers, unceasingly<br />

Life flows away. And your heart trembles,<br />

Like a light flag on a ship's mast,<br />

Between memory and hope—<br />

That hope of the future.<br />

Moved by the terrible, passionate power of revelation, the madman recognizes the<br />

cyclical nature of time and life. While the image of clear liquid constantly slipping away<br />

through fingers suggests an eventual end to life, the final two quoted lines show the<br />

cyclical relationship of the past to the present. The madman’s heart wavers between<br />

recollection (the past) and hope (the future). This hope is described as a memory of the<br />

future (сей памятью о будущем). In order for the future to be remembered, it must have<br />

happened before—it must be part of an endless cycle of life. This cycle necessarily<br />

includes both death (the liquid of life slipping away) and rebirth (hope).<br />

In the final stanza of "Дом" the speaker returns from these abstract ruminations to<br />

the concrete site of the ruined house. An old woman approaches and begins to tear off<br />

shingles and insulation. The speaker joins her:<br />

Молча подхожу<br />

И помогаю ей, и мы в согласьи добром<br />

Работаем для времени.<br />

55

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