THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat
THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat
THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat
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indicating that "Час победы" is a continuation of a single narrative begun in "В черту."<br />
In the second poem, the devil returns after a long absence, amused by the poet's<br />
inaction—the rings are still whole; the poet appears to have been biding his time in long<br />
meditations or dreams (долгие мечтания). After the devil threatens to make the still<br />
unbroken links of the ring even stronger, the poet slaps him in the face with the devil's<br />
own glove and cries that only blood can forge and break his ring. The devil's cloak is<br />
blown away revealing his previously hidden face. The poet looks into his familiar eyes<br />
and watches as he fades into emptiness. By the end of the poem, the poet's victorious<br />
ring has unbent itself into a fiery line: В этот час победное кольцо мое/В огненную<br />
выгнулось черту.<br />
The images of the ring and line suggest the contradictory patterns in Gippius's<br />
spiritual life—striving to attain a direct path to God (the line), she often finds herself<br />
trapped in an alternating cycle (ring) of doubt and faith. By the end of "Час победы" she<br />
has declared victory over this seemingly endless cycle. Having recognized the devil (Я<br />
взглянул в глаза его знакомые), she has claimed the ring as her own (победное кольцо<br />
мое), and succeeded in straightening it into a line. This appears to be a final victory. By<br />
themselves "В черту" and "Час победы" create a complete narrative—the goal set out in<br />
the title of the first poem is reached in the last line of the second.<br />
Gippius, however, resists such finality. The emphasis on the hour of victory in<br />
"Час победы," both in the title and in the final lines (В этот час) raises the possibility<br />
that this is only a temporary victory. After the hour has passed, the devil may yet return.<br />
This potential return is further suggested by the identical description of the devil's exit in<br />
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