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THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat

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the ability to show compassion for and to save the most wretched of creatures. She frees<br />

the Leviathan, punished (наказанный) on dry land for some unnamed guilt, and returns<br />

him with a gentle whisper to his natural habitat, the sea. She takes pity upon him<br />

(Несчастный!) as he suffers through labor. Ultimately, the Leviathan is soothed and<br />

dives deep into the water, cooling his scorching spirit. This immersion, inspired by<br />

Lavinia's quiet words, resembles a baptism; Lavinia, in effect, has helped to direct the<br />

Leviathan, a Satanic creature, toward God. 229<br />

At the same time as his spiritual rebirth,<br />

Lavinia is physically reborn. Once again the mutability of existence is highlighted: each<br />

gives birth to the other. 230<br />

Just as Christ's baptism was followed by his withdrawal into the wilderness, so<br />

the birth of "Левиафан" is soon followed by Lavinia's experience of Lent. In keeping<br />

with Christian tradition, Lavinia treats the Great Fast before Easter as an opportunity to<br />

imitate Christ's self-sacrifice in the desert, to resist temptation and become pure and<br />

clean. 231<br />

Lavinia, however, takes this imitation to a literal extreme. Her Lenten poems<br />

do not simply acknowledge spiritual cleansing metaphorically, rather they realize Christ's<br />

experience as described by Mark: "He was in the wilderness forty days, tempted by<br />

Satan; and he was with the wild beasts; and the angels waited on him." (Mark 1:13)<br />

Actual demons, angels, and wild beasts populate Lavinia's book, alternately tempting and<br />

ministering to her.<br />

229 In Romans 6:3-4, Paul "likened baptismal immersion to personal sharing in the death, burial, and<br />

Resurrection of Christ." "Baptism," Encyclopædia Britannica. 2003. Encyclopædia Britannica Online. 22<br />

Aug, 2003 ) Here, Lavinia could be<br />

seen as encouraging the Leviathan in his own imitation of Christ.<br />

230 In their phonic resemblance, the names Лавиния and Левиафан suggest that the nun and the leviathan<br />

are closely connected and potentially interchangeable. Shvarts previously wrote of the exchangeability of<br />

Jonah and the whale in the 1982 poem, "Книга на окне": Ночь Иона в Ките, через ночь Кит—в Ионе.<br />

231 See, for example, "В бане," "Вот праздник Поста гремит..."<br />

174

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