THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat
THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat
THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat
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space is highlighted by the break in meter—the first twelve lines are entirely<br />
amphibrachic except for the seventh line: Мягкою белою церковью.<br />
Lavinia expands the image of the heart as icon lamp to a comparison of her entire<br />
body to a soft white church. Further realizing this metaphor, she describes the crowds of<br />
children and old women who physically enter her womb and bow to her heart. As in the<br />
sister's letter and Lavinia's third poem, she presents a church open to the outside—the<br />
children and old women are like the angel and the bear, the wolf and the passerby.<br />
This association of church and body recalls the equation of Christ's body with the whole<br />
Christian church, capable of uniting both Jew and Gentile. 219<br />
When the visitors leave<br />
Lavinia's body, however, the empty church dissolves in a heap. Her church-like body is a<br />
modest imitation of Christ's body; her heart, like everyone else's, contains only a bit of<br />
the immensity of Christ's love. This attempt to imitate Christ constitutes the narrative<br />
center of Lavinia's book.<br />
Several other poems in Lavinia's book focus on churches and temples, often<br />
highlighting the connection between the holy place and Lavinia herself. In the thirtieth<br />
poem, "Моя молельня," Lavinia describes her ability to create a place of prayer<br />
anywhere—even in the metro:<br />
Свою палатку для молитвы<br />
Я разбиваю где угодно—<br />
219 See Paul's Letter to the Ephesians, 2:13-22, 5:29-30. This letter, while possibly not written by Paul<br />
himself, shares his ecumenical viewpoint: "Gentiles and Jews, [Christ] has made the two one, and in his<br />
own body of flesh and blood has broken down the barrier of enmity which separated them; for he annulled<br />
the law with its rules and regulations, so as to create out of the two a single new humanity in himself,<br />
thereby making peace. This was his purpose, to reconcile the two in a single body to God through the<br />
cross, by which he killed the enmity" (2:14-16). In the next verses, the imagery shifts abruptly to describe<br />
Christ as a building rather than a body: "You are built on the foundation of the apostles and prophets, with<br />
Christ Jesus himself as the corner-stone. In him the whole building is bonded together and grows into a<br />
holy temple in the Lord. In him you also are being built with all the others into a spiritual dwelling for<br />
God" (2:20-22). This and future biblical citations are taken from The Oxford Study Bible (New York:<br />
Oxfod University Press, 1992).<br />
165