THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat

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I crumble my bread and recall My past births. God forbid as a bird. The whistle of a wing Is enough to recall a night spent on a wave, The pain in my beak and how the blood flowed With my jumps. I don't need the bird life! I was a pastor and a wizard, I wore the uniform of various armies. I was a gypsy…I don't need any more! The thread on the beads of Karma has rotted. Just as Christ is reborn and crucified each year, so Lavinia has experienced multiple incarnations. Now, however, she desires to be released from this endless cycle. Her plaintive cry, "Больше и не надо," evokes Christ's plea in the Garden of Gethsemane: "My Father, if it be possible, let this cup pass from me" (Matthew 26:39). Lavinia is searching for the final resurrection—one which will put an end to her own, and by association Christ's, suffering, as well as break the thread of Karma. She seeks both eternal life in the Christian sense and the timeless Buddhist state of nirvana—her final resurrection is ecumenism exemplified. Lavinia again links Buddhist concepts to the Christian holy week in the seventyfifth poem, "Сатори." The poem's title is a Zen Buddhist term for a flash of sudden awareness. 243 Here, the personal epiphany appears linked to the story of Christ's crucifixion. In the poem's fifth line, Lavinia marks the setting: Пятница. Солнце. Дождь. (Friday. Sun. Rain.) Placed only three poems from the end of a book subtitled "From Christmas to Easter" and following soon after "В трапезной," the poem seems to refer to Good Friday. The contrast of sun and rain also supports this possibility, recalling the shift in weather which took place during Christ's crucifixion. 244 243 Shvarts provides a footnote to the poem with the definition, "внезапное просветление (япон.)." 244 According to three of the four gospel accounts, darkness fell in the middle of the day for three hours. See Matthew 27:45, Mark 15:33, Luke 23:44-45. 181
The poem also links Christianity and Buddhism by referring to two of Shvarts's epigraphs to the book, one Buddhist and one Christian, in the final lines: О, сестры! Духи! С туманом я играю! Духи! Мне весело, Я умираю. Душа моя, ты стала чашей, В которую сбирает нищий Слепой, живущий при кладбище, Пятак и дождь, и фантики пустые, Обломки солнца золотые— Объедки херувимской пищи. Oh, sisters! Spirits! I am playing with fog! Spirits! I am happy, I am dying. My soul, you became a cup In which a blind beggar Living next to a graveyard collects A five copeck piece and rain, and empty candy wrappers, Golden pieces of the sun— Leftovers of cherubic food. The book's seventh epigraph, "У входа в пещеру/Играю с клубящимся туманом," is clearly echoed in the second line of this excerpt. As discussed previously, this epigraph is attributed to a Daoist thinker and poet "Безумный Линь" and suggests the poet's embarkation on her journey of discovery. Placed again at the end of the book, it signals a new beginning. Having struggled through doubt and temptation, Lavinia is now ready to achieve true enlightenment. She reaches this moment of sudden awareness through her death, again recalling Christ's physical death on the cross on Good Friday. The epigraph itself points to the Good Friday connection; Lavinia plays with fog "at the entrance to the cave," suggesting the cave in which Christ's body will be laid after his death. Again, Buddhism and Christianity converge. 182
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THE BOOK OF POEMS IN TWENTIETH-CENT
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© Copyright by Sarah Clovis Bishop
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In my conclusion, I pose the questi
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Acknowledgements When I arrived at
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Symbolist movement that Russian poe
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из ордена обрезани
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Other critics who have discussed th
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кончилась. Она длил
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movement, he did manage to "breathe
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personal elements, of course, remai
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Khodasevich’s lyric persona is no
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The final gifts of your earthly car
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description of Moscow on the eighth
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ноября," but the historical c
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Open to all, having exhausted all t
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символизм, ставший
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Unfortunately, with the failure of
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Still seething, runs out of a water
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however, it still retains vibrant s
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to show his growth from an unseeing
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Rachel weeping for her children and
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idylls (Слава Богу, зде
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"pseudonym" A. Beklemishev. 63 With
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Весь день по небу, н
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Плотные спусти, Тем
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heart. His frenzied tone and hatred
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"Вариация" In the 1921 edit
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An unclear noise rumbled, like the
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This sense of cyclical entrapment i
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description is largely colored by n
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this shines an evening star, a "gui
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Silently I walk up And help her, an
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Молодость. At the time of
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The newspaper hawker’s indifferen
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could have supported a life cruelly
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group. They address a point in the
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How many times have flown to you In
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Сладко после дождя
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Не плеснется рыбиц
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Within the context of Путем з
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Your hand grows stiff on the wheel,
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O, steel, passionless bird, How can
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There's a stick in his hands, he's
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traveled by his ancestors. Similarl
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Chapter Two: Zinaida Gippius's Radi
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“the given time,” that is at th
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This "summational" quality of Си
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adiance—and the fall to reality o
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As yet the addressee has not been d
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livre, au lieu de la »Vie«—»L'
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suggests the reciprocity of the rel
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her unknown, unworthy self. 117 Spi
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lows of her spiritual journey in С
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помнит,/Что эта ноч
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she is more concerned with her own
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pronouns она and ты. She can,
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This emphasis on the future is also
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tender" treatment ironically echoes
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This enslaved "creature" of both "
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................ Give back to me th
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does now, in exile, but it is seemi
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in "За что?," can now release
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Through their links to the past and
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Безвременность и Ч
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The phrase "trembling eternity" per
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oth "В черту" and "Час п
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Do you want to look into your neigh
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state of "равнодушие"—a
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Page 139 and 140: Скажу, что рая не пр
Page 141 and 142: This stanza echoes "Сложнос
Page 143 and 144: Gippius employs two "sacred" texts
Page 145 and 146: But there is only malevolence. Guis
Page 147 and 148: Chapter Three: Elena Shvarts's Work
Page 149 and 150: приключается. Пово
Page 151 and 152: circumcision of the heart. This com
Page 153 and 154: Плещет, пляшет и ст
Page 155 and 156: central one being the metaphor of L
Page 157 and 158: граничить Россия с
Page 159 and 160: an attempt to attain spiritual enli
Page 161 and 162: forgetting will figure repeatedly i
Page 163 and 164: Где служат вместе л
Page 165 and 166: and, most importantly, the repetiti
Page 167 and 168: И луна лежит на алт
Page 169 and 170: Formally, the poem is quite distinc
Page 171 and 172: В буреющий снег пол
Page 173 and 174: В метро, в постели и
Page 175 and 176: Despite this seemingly straightforw
Page 177 and 178: God into oneself and laboring to gi
Page 179 and 180: Во тьме горящей без
Page 181 and 182: the ability to show compassion for
Page 183 and 184: And spitting out the skin of sinner
Page 185 and 186: This time, however, he takes the fo
Page 187: no more suffering. 239 In the culmi
Page 191 and 192: O God, I have been serving You For
Page 193 and 194: tenth, "Уроки Аббатисс
Page 195 and 196: том, что не совсем я
Page 197 and 198: And there still more, and more… 2
Page 199 and 200: that it will drive her mad. While t
Page 201 and 202: Along the clipped lawn toward the h
Page 203 and 204: Он мне сказал: "Коль
Page 205 and 206: Conclusion While written in distinc
Page 207 and 208: centripetal types toward more centr
Page 209 and 210: While the "endless cycle" of despai
Page 211 and 212: Bibliography -------. Bibleiskaia E
Page 213 and 214: -------. Pis'ma k Berberovoi i Khod
Page 215 and 216: Merezhkovskii, Dmitrii. Malenkaia T
Page 217 and 218: -------. Trudy i dni Lavinii, Monak
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