THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat

in "За что?," can now release its quiet tears. The poet has discovered something familiar,
even native in the sound of the rain. She has rediscovered her spiritual path, even in
exile.
Shortly after this cycle, Gippius placed the poem "Прорезы," originally written in
1918 while Gippius was still living in Russia. In this poem, the poet again expresses her
love for her native land:
И я люблю мою родную Землю,
Как мост, как путь в зазвездную страну.
And I love my native Land,
Like a bridge, a path to a country beyond the stars.
Here, however, there is no hint of despair or desperation. The "native land" appears to
have taken on a universal meaning—the land of her birth is the earthly world, a bridge or
transition to the unearthly realm of heaven. By capitalizing the word "Земля," Gippius
grants the literal land entry into the spiritual realm.
While the title, "Прорезы," seems to suggest a break in this connection, Gippius
treats these cuts or gaps as apertures that allow for movement between the two realms. In
the opening stanza, she lists some of the "promises and signs" which are present "here,"
in mundane reality (Здесь—только обещания и знаки), specifically describing "A
radiating gap, a cut in the gloom…" ("Сияющий прорыв, прорез на мраке…") By
choosing a form of the book's central word, radiance, to modify the gap, Gippius
highlights its positive, creative nature. This and other intangible and elusive signs
promise to transport the poet from the earthly to the heavenly world.
In the final stanza, Gippius points to yet another "gap," proclaiming her love for
her "high window," which, like her native land, ultimately unites these two worlds:
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