THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat
THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat
THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat
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Epigraph/Dedication to St. Thérèse of Lisieux<br />
From the opening page, Gippius's final book is distinct from her earlier<br />
collections: first, for its thematic title; second, for the dedication included on the title<br />
page. While Gippius occasionally attached epigraphs or dedications to individual poems<br />
in her previous books (and in Сияния as well), this is the only instance where she<br />
provided a dedication or epigraph to an entire book. This gesture, like the thematic title,<br />
adds to the sense of the book as a unified whole—the entire book can be given a single<br />
name and a single dedicatee.<br />
The dedication itself is somewhat cryptic, leaving the addressee unnamed:<br />
Тебе, чье имя не открою,<br />
Но ты со мной всегда,<br />
Ты мне, как горная вода<br />
Среди земного зноя.<br />
For you, whose name I will not reveal,<br />
But you are with my always,<br />
To me you are like mountain water<br />
Amidst the intense heat of the earth.<br />
At first the dedication seems to be a very private gesture, a concealed address from<br />
Gippius to her dedicatee. Yet, by presenting it so publicly on the title page of her book,<br />
and by declaring that she will not reveal the addressee, Gippius sets up a riddle for the<br />
reader. She stresses the addressee's constant presence in her life (ты со мной всегда), a<br />
presence which presumably will be felt in the book that follows. Uncovering the identity<br />
of the dedicatee may provide a key to reading the book as a whole.<br />
final words of Thomas (Нету слов об этом на свете,/Кроме слов—последних—Фомы). Even here,<br />
Gippius does not dare to replicate those words (Господь мой и Бог мой (John 20:28)) in her own voice.<br />
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