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THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat

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description is largely colored by negative images (замызганные деньги/soiled money,<br />

черный день/black (rainy) day, духота/stuffiness, мрак/gloom), the people who once<br />

lived in the house are portrayed with a similar balance. They both argue and are<br />

reconciled with each other (ссорились, мирились, line 13), they both are born and die<br />

(рождались, умирали, lines 18-19).<br />

This reciprocal pattern of human activity, once hidden behind the solid walls of<br />

the house, is now openly exposed to the casual passerby (все теперь/Прохожему<br />

открыто, line 19). Over the course of the poem, the speaker will similarly reveal the<br />

cycle of human existence—the path of the grain set out in the book’s title poem—to the<br />

reader. Darkness will give way to light, death to rebirth and regeneration.<br />

The first sign of this revelation comes with the speaker’s heightened, almost odic<br />

tone in describing the wanderer who visits the house (lines 20-31):<br />

О, блажен,<br />

Чья вольная нога ступает бодро<br />

На этот прах, чей посох равнодушный<br />

В покинутые стены ударяет!<br />

Чертоги ли великого Рамсеса,<br />

Поденщика ль безвестного лачуга—<br />

Для странника равны они: все той же<br />

Он песенкою времени утешен;<br />

Ряды ль колонн торжественных, иль дыры<br />

Дверей вчерашних—путника все так же<br />

Из пустоты одной ведут они в другую<br />

Такую же…<br />

O blessed is the one<br />

Whose willful foot steps boldly<br />

On this dust, whose indifferent staff<br />

Strikes the abandoned walls!<br />

The mansions of great Ramses,<br />

Or the hovel of an unknown worker—<br />

To the stranger they are all the same: always by the same<br />

Song of time is he consoled;<br />

Whether there are rows of ceremonial columns, or holes<br />

Of yesterday's doors—all the same<br />

52

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