THE BOOK OF POEMS IN TWENTIETH-CENTURY ... - TopReferat

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Весеняя распутица Ведет меня во тьму, А он юлит и крутится, И все равно ему— Геройство иль бесчестие, Позор иль торжество: Вечерние известия— И больше ничего. Шагает демон маленький, Как некий исполин, Расхлябанною валенкой Над безднами судьбин. Но в самом безразличии, В бездушьи торгаша— Какой соблазн величия Пьет жадная душа! "Evening news!…" Yell, caress my ears, Pushy beast, Spirit of the evening streets. The muddy springtime Leads me into darkness, But he fidgets and twirls around, And everything is the same to him— Heroism or dishonor, Disgrace or triumph: It's all the evening news— And nothing more. The little demon strides Like some sort of giant, With a loose felt boot Over the chasms of others' fates. But in that very indifference, In the soullessness of the tradesman— What a temptation of greatness Does the greedy soul drink up! 59
The newspaper hawker’s indifference to his wares—the affairs of the world and the fates of other men—has nothing in common with the wanderer’s indifference in "Дом." It is based not on any greater understanding of life’s patterns (e.g. that heroism and dishonor naturally replace each other as life replaces death), but rather on cold calculation—it does not matter what he sells as long as others buy it up. His indifference does have something in common, however, with the description of man in lines 47-58 of "Дом." By "inventing history" and writing down events, haughty man believes he has gained control over those events. This control is proven false in "Дом," but in "Газетчик" the hawker's similar "greatness," his indifferent treatment of human stories typed up in the mundane genre of the evening news, tempts the speaker. The lyric "я" lacks such control over his own life—the muddy spring roads 78 lead him inevitably into darkness—but his "greedy soul" longs for it. Any attempts to achieve such greatness, however, are akin to selling himself to the devil, becoming "soulless" like the hawker. The poem "Сердце" is likewise concerned with greed. The speaker describes his heart as a bloody miser (кровавый скупец) who stores away earthly moments in a huge lead box. He seems to believe that locking them up will help him cling to life. In the final stanza he recognizes the futility of his heart’s actions: И много тяжелых цехинов, И много поддельных гиней Толпа теневых исполинов Разграбит в час смерти моей. And many heavy zecchins, And many fake guineas A throng of tenebrous giants Will steal in the hour of my death. 78 Here the word "распутица" suggests a certain degree of debauchery, depravity (cf. "распутство"). 60
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THE BOOK OF POEMS IN TWENTIETH-CENT
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© Copyright by Sarah Clovis Bishop
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In my conclusion, I pose the questi
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Acknowledgements When I arrived at
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Symbolist movement that Russian poe
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из ордена обрезани
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Other critics who have discussed th
Page 15 and 16: кончилась. Она длил
Page 17 and 18: movement, he did manage to "breathe
Page 19 and 20: personal elements, of course, remai
Page 21 and 22: Khodasevich’s lyric persona is no
Page 23 and 24: The final gifts of your earthly car
Page 25 and 26: description of Moscow on the eighth
Page 27 and 28: ноября," but the historical c
Page 29 and 30: Open to all, having exhausted all t
Page 31 and 32: символизм, ставший
Page 33 and 34: Unfortunately, with the failure of
Page 35 and 36: Still seething, runs out of a water
Page 37 and 38: however, it still retains vibrant s
Page 39 and 40: to show his growth from an unseeing
Page 41 and 42: Rachel weeping for her children and
Page 43 and 44: idylls (Слава Богу, зде
Page 45 and 46: "pseudonym" A. Beklemishev. 63 With
Page 47 and 48: Весь день по небу, н
Page 49 and 50: Плотные спусти, Тем
Page 51 and 52: heart. His frenzied tone and hatred
Page 53 and 54: "Вариация" In the 1921 edit
Page 55 and 56: An unclear noise rumbled, like the
Page 57 and 58: This sense of cyclical entrapment i
Page 59 and 60: description is largely colored by n
Page 61 and 62: this shines an evening star, a "gui
Page 63 and 64: Silently I walk up And help her, an
Page 65: Молодость. At the time of
Page 69 and 70: could have supported a life cruelly
Page 71 and 72: group. They address a point in the
Page 73 and 74: How many times have flown to you In
Page 75 and 76: Сладко после дождя
Page 77 and 78: Не плеснется рыбиц
Page 79 and 80: Within the context of Путем з
Page 81 and 82: Your hand grows stiff on the wheel,
Page 83 and 84: O, steel, passionless bird, How can
Page 85 and 86: There's a stick in his hands, he's
Page 87 and 88: traveled by his ancestors. Similarl
Page 89 and 90: Chapter Two: Zinaida Gippius's Radi
Page 91 and 92: “the given time,” that is at th
Page 93 and 94: This "summational" quality of Си
Page 95 and 96: adiance—and the fall to reality o
Page 97 and 98: As yet the addressee has not been d
Page 99 and 100: livre, au lieu de la »Vie«—»L'
Page 101 and 102: suggests the reciprocity of the rel
Page 103 and 104: her unknown, unworthy self. 117 Spi
Page 105 and 106: lows of her spiritual journey in С
Page 107 and 108: помнит,/Что эта ноч
Page 109 and 110: she is more concerned with her own
Page 111 and 112: pronouns она and ты. She can,
Page 113 and 114: This emphasis on the future is also
Page 115 and 116: tender" treatment ironically echoes
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This enslaved "creature" of both "
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................ Give back to me th
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does now, in exile, but it is seemi
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in "За что?," can now release
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Through their links to the past and
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Безвременность и Ч
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The phrase "trembling eternity" per
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oth "В черту" and "Час п
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Do you want to look into your neigh
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state of "равнодушие"—a
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в желтой волне тума
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Скажу, что рая не пр
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This stanza echoes "Сложнос
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Gippius employs two "sacred" texts
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But there is only malevolence. Guis
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Chapter Three: Elena Shvarts's Work
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приключается. Пово
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circumcision of the heart. This com
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Плещет, пляшет и ст
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central one being the metaphor of L
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граничить Россия с
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an attempt to attain spiritual enli
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forgetting will figure repeatedly i
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Где служат вместе л
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and, most importantly, the repetiti
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И луна лежит на алт
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Formally, the poem is quite distinc
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В буреющий снег пол
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В метро, в постели и
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Despite this seemingly straightforw
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God into oneself and laboring to gi
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Во тьме горящей без
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the ability to show compassion for
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And spitting out the skin of sinner
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This time, however, he takes the fo
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no more suffering. 239 In the culmi
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The poem also links Christianity an
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O God, I have been serving You For
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tenth, "Уроки Аббатисс
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том, что не совсем я
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And there still more, and more… 2
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that it will drive her mad. While t
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Along the clipped lawn toward the h
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Он мне сказал: "Коль
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Conclusion While written in distinc
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centripetal types toward more centr
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While the "endless cycle" of despai
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Bibliography -------. Bibleiskaia E
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-------. Pis'ma k Berberovoi i Khod
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Merezhkovskii, Dmitrii. Malenkaia T
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-------. Trudy i dni Lavinii, Monak
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