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Journal of Taibah University the first issue

Journal of Taibah University the first issue

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10<br />

Haitham Abdulaziz Saab<br />

maintains a total trust in Christ’s “Five Wounds” as well as in Mary’s<br />

“Five Joys.” Therefore, we are <strong>first</strong> introduced to Gawain who “was<br />

faultless in his five Senses” (640) and whose faithfulness is to “<strong>the</strong><br />

five wounds/ That Christ got on <strong>the</strong> cross” (642-3). The hero is also a<br />

devout Christian even in his military outfit. In <strong>the</strong> description <strong>of</strong> his<br />

preparation, Gawain puts on a proper Christian armor with plenty <strong>of</strong><br />

accessories and gold that adorn his red shield, and with <strong>the</strong> blessed<br />

‘pentangle,’ which is “a sign by Solomon sages devised to be a token<br />

<strong>of</strong> truth” (625-6).<br />

The symbolic significance <strong>of</strong> <strong>the</strong> pentangle is examined by M.<br />

Mills who considers <strong>the</strong> red pentangle a happy choice representing<br />

Gawain’s virtues. It has <strong>the</strong> unity and perfection <strong>of</strong> a circle.<br />

Moreover, Gawain has <strong>the</strong> image <strong>of</strong> Virgin Mary ‘on <strong>the</strong> inner part <strong>of</strong><br />

his shield’ (649), which is juxtaposed with <strong>the</strong> personal emblem <strong>of</strong> <strong>the</strong><br />

pentangle on <strong>the</strong> outside <strong>of</strong> <strong>the</strong> armor. The anonymous poet <strong>the</strong>refore<br />

successfully connects Gawain’s virtues with some fixed points <strong>of</strong> <strong>the</strong><br />

Christian faith. 13 Wearing <strong>the</strong> pentangle, ‘<strong>the</strong> token <strong>of</strong> truth,’ Gawain<br />

in fact seeks eternal truth. On <strong>the</strong> o<strong>the</strong>r hand, <strong>the</strong> image <strong>of</strong> “<strong>the</strong> high<br />

Queen <strong>of</strong> heaven” (647) is next to his heart, making him <strong>the</strong><br />

embodiment <strong>of</strong> medieval Christianity and knightly devotion.<br />

In <strong>the</strong> course <strong>of</strong> his adventurous mission, Gawain also has to<br />

undergo a test <strong>of</strong> adversity, following medieval conventions. He has<br />

to climb cliffs and fight “Now with serpents…now with savage<br />

wolves” (720) and he also must fend <strong>of</strong>f with “wild men <strong>of</strong> <strong>the</strong><br />

woods” (721). According to Victoria L. Weiss, Gawain’s plight from<br />

<strong>the</strong> beginning is that he can hardly distinguish between <strong>the</strong> play world<br />

and <strong>the</strong> real world. For Gawain, <strong>the</strong> ‘aristocratic’ Knight, to accept<br />

<strong>the</strong> challenging game <strong>of</strong> <strong>the</strong> Green Knight, is to put himself and his<br />

chivalric values into a great confusion. Although he is perplexed, for<br />

<strong>the</strong> game becomes serious, at times, and ra<strong>the</strong>r momentary and<br />

diversionary, at o<strong>the</strong>rs, Gawain “unconsciously formulated a rule for<br />

distinguishing <strong>the</strong> two.” 14 There is a strong sense, however, in which<br />

Gawain is committed to God as he pursues this sacred mission. As a<br />

devoted Christian knight, Gawain’s actions should always conform to<br />

his Christian faith. In <strong>the</strong> temptation scene we referred to in <strong>the</strong><br />

beginning, Gawain’s resistance to falling into sin is manifested in his<br />

reply to <strong>the</strong> seductive lady: “God forbid…that shall not befall” (1776).<br />

None<strong>the</strong>less, <strong>the</strong> religious knight eventually fails <strong>the</strong> test <strong>of</strong> faith and<br />

honor when he has overvalued his life to <strong>the</strong> extent that he disregards<br />

God’s Providence. In <strong>the</strong> <strong>first</strong> place, he doubts God’s Providence<br />

because he agrees to take <strong>the</strong> lady’s girdle, as a magical safety<br />

measure. Moreover, by keeping it, he has already broken <strong>the</strong> covenant<br />

with Bercilak, lord <strong>of</strong> <strong>the</strong> castle, that he should not seek protection,

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