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Journal of Taibah University the first issue

Journal of Taibah University the first issue

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Medieval and Renaissance Values in Sir Gawain and <strong>the</strong> Green Knight<br />

and Spenser’s Epithalamion<br />

11<br />

and hence, lost his honor. Gawain’s concern with his safety before <strong>the</strong><br />

final encounter with <strong>the</strong> Green Knight undermines his religious<br />

devotion, which <strong>of</strong>fers an ironically symbolic contrast. While Gawain<br />

has left Camelot confidently wearing <strong>the</strong> sacred golden pentangle, he<br />

accepts <strong>the</strong> lady’s worldly gift. Gawain repents his sin, however, and<br />

his repentance is appropriate for a good Christian knight <strong>of</strong> <strong>the</strong> King’s<br />

court, and even more, from a medieval point <strong>of</strong> view.<br />

The medieval moral and religious code <strong>of</strong> behavior<br />

significantly implies that Gawain has to be a good Christian in order<br />

for him to attain <strong>the</strong> elevated status <strong>of</strong> knighthood. The actions <strong>of</strong><br />

Gawain clearly illustrates <strong>the</strong> inherent relationship between moral<br />

values, like knightly courage, nobility and courtesy, and medieval<br />

religious values. Unlike <strong>the</strong> supremacy <strong>of</strong> humanism in Spenser’s<br />

Epithalamion, this makes even <strong>the</strong> social codes <strong>of</strong> behavior<br />

subordinate to religious values in <strong>the</strong> medieval romance. Two<br />

examples will make such point quite clear. The <strong>first</strong> is that Gawain,<br />

seduced, for a second time, by <strong>the</strong> married lady <strong>of</strong> <strong>the</strong> castle, never<br />

forgets his gentility and courtesy even though he is ominously<br />

exposed to one <strong>of</strong> <strong>the</strong> major sins, fornication, in <strong>the</strong> Christian tradition<br />

as well as in medieval ideology. The Gawain:<br />

For that high-born beauty so hemmed him about<br />

Made so plain her meaning, <strong>the</strong> man must needs<br />

Ei<strong>the</strong>r take her tendered love or distastefully refuse.<br />

His courtesy concerned him, lest crass he appear (1770-3).<br />

Because faith is much more important than courtesy, <strong>the</strong> hero<br />

resists sexual temptation, once again, while still showing remarkable<br />

gentility. Although he even attempts to refuse all her ‘love tokens,’ he<br />

finally submits to her repeated petitions, accepting her magical girdle<br />

“<strong>of</strong> a gay green silk, with gold overwrought” (1832), to save his life.<br />

The second instance <strong>of</strong> <strong>the</strong> supremacy <strong>of</strong> religious over social values<br />

in Sir Gawain, is in <strong>the</strong> final part <strong>of</strong> <strong>the</strong> poem, where Gawain receives,<br />

I suggest, a socially sympa<strong>the</strong>tic response from <strong>the</strong> knights <strong>of</strong> <strong>the</strong><br />

Round Table. When Gawain loses his honor by wearing <strong>the</strong> green<br />

belt, <strong>the</strong> King’s court enacts an ideally collective social behavior. All<br />

<strong>the</strong> King’s court members resolve to put on green belts as “a token by<br />

<strong>the</strong> Table Round”(2519) to share with Gawain his spiritual disgrace.<br />

However, this social act <strong>of</strong> sympathy never lifts <strong>the</strong> physical and<br />

immoral scar on his neck, which remains an eternal mark <strong>of</strong> Gawain’s<br />

spiritual fault. Sir Gawain’s religious symbols and ramifications are<br />

explored fur<strong>the</strong>r by Phillipa Hardman who examines recent<br />

scholarship in regards to <strong>the</strong> hero’s use <strong>of</strong> <strong>the</strong> “pentangle” and “<strong>the</strong>

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