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Writing Programs Worldwide - Profiles of Academic Writing in Many Places, 2012a

Writing Programs Worldwide - Profiles of Academic Writing in Many Places, 2012a

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American University <strong>in</strong> Cairo (Egypt)<br />

<strong>of</strong> Freshman Composition (a new 102—three credits) and moved the Research<br />

<strong>Writ<strong>in</strong>g</strong> course to a sophomore <strong>of</strong>fer<strong>in</strong>g (201—three credits), result<strong>in</strong>g <strong>in</strong> a total<br />

<strong>of</strong> n<strong>in</strong>e credits for a three-course sequence—101, 102 and 201. In order to meet<br />

this commitment, the university asked English and Comparative Literature faculty<br />

to teach one to two writ<strong>in</strong>g courses per year. The most significant problem<br />

dur<strong>in</strong>g this period was lack <strong>of</strong> consistency <strong>in</strong> grad<strong>in</strong>g. The need to confront this<br />

problem eventually persuaded the Literature department to consider establish<strong>in</strong>g<br />

a <strong>Writ<strong>in</strong>g</strong> Program with specialized faculty teach<strong>in</strong>g composition<br />

The 1970s saw the beg<strong>in</strong>n<strong>in</strong>g <strong>of</strong> a specialized <strong>Writ<strong>in</strong>g</strong> Program with a coord<strong>in</strong>ator<br />

and enough <strong>of</strong>fice space for the addition <strong>of</strong> locally-hired faculty, most<br />

<strong>of</strong> whom held MAs <strong>in</strong> literature or TESOL. Dur<strong>in</strong>g this period, it was difficult<br />

to recruit native speakers from the US with specialized tra<strong>in</strong><strong>in</strong>g <strong>in</strong> composition;<br />

consequently, local native speakers <strong>of</strong> English, with degrees <strong>in</strong> a variety<br />

<strong>of</strong> discipl<strong>in</strong>es, provided additional <strong>in</strong>struction. This marked the beg<strong>in</strong>n<strong>in</strong>g <strong>of</strong> a<br />

unit composed <strong>of</strong> a mixture <strong>of</strong> Egyptian, European, and American faculty with<br />

degrees <strong>in</strong> many different discipl<strong>in</strong>es—this diversity cont<strong>in</strong>ues to characterize<br />

the department to this day.<br />

As the goal was to provide an <strong>in</strong>tense writ<strong>in</strong>g experience, the three required<br />

English courses were condensed <strong>in</strong>to two courses: ENGL 112, Rhetorical<br />

Modes (four credits) and ENGL 113, Research <strong>Writ<strong>in</strong>g</strong> ( five credits). Grad<strong>in</strong>g<br />

for these courses was pass/fail. The above change was followed by the development<br />

<strong>of</strong> techniques and materials that drew from the grow<strong>in</strong>g body <strong>of</strong> TESOL<br />

and Composition literature <strong>in</strong> the US and UK. Recogniz<strong>in</strong>g that many <strong>of</strong> the<br />

students were not prepared to master the level <strong>of</strong> writ<strong>in</strong>g required <strong>in</strong> the new<br />

courses, the Director <strong>of</strong> the <strong>Writ<strong>in</strong>g</strong> Program, who was also the Chair <strong>of</strong> the<br />

committee that was <strong>in</strong> the process <strong>of</strong> creat<strong>in</strong>g a new Core Curriculum, created<br />

a remedial preparatory course, ENGL 111, later re-labeled ENGL 100, which<br />

eventually became an exit course on writ<strong>in</strong>g for the English Language Institute.<br />

CHANGE AND EVOLUTION<br />

In the eighties and n<strong>in</strong>eties the <strong>Writ<strong>in</strong>g</strong> Program received limited support<br />

from faculty and students. Although writ<strong>in</strong>g faculty were stress<strong>in</strong>g critical<br />

th<strong>in</strong>k<strong>in</strong>g, there was limited follow-up <strong>in</strong> subsequent academic courses. A survey<br />

revealed that many faculty were giv<strong>in</strong>g multiple-choice tests <strong>in</strong> lieu <strong>of</strong> assign<strong>in</strong>g<br />

papers. S<strong>in</strong>ce writ<strong>in</strong>g was rarely assessed <strong>in</strong> humanities or non-humanities<br />

courses, students began to perceive writ<strong>in</strong>g as irrelevant to their academic work.<br />

In the mid n<strong>in</strong>eties, as part <strong>of</strong> an effort to br<strong>in</strong>g writ<strong>in</strong>g pedagogy <strong>in</strong> l<strong>in</strong>e with<br />

US composition pedagogy, the <strong>Writ<strong>in</strong>g</strong> Program attempted to <strong>in</strong>troduce <strong>Writ<strong>in</strong>g</strong><br />

Across the Curriculum (WAC). An expert consultant delivered a weeklong<br />

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