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Writing Programs Worldwide - Profiles of Academic Writing in Many Places, 2012a

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Zurich University <strong>of</strong> Applied Sciences (Switzerland)<br />

learn<strong>in</strong>g success on the shoulders <strong>of</strong> the students as possible. This is a<br />

general prerequisite for academic learn<strong>in</strong>g but also the ma<strong>in</strong> <strong>in</strong>gredient<br />

<strong>of</strong> writ<strong>in</strong>g courses. In the German-speak<strong>in</strong>g countries, the pr<strong>in</strong>ciples <strong>of</strong><br />

this k<strong>in</strong>d <strong>of</strong> learn<strong>in</strong>g <strong>in</strong> connection with writ<strong>in</strong>g are traditionally rooted<br />

<strong>in</strong> sem<strong>in</strong>ar teach<strong>in</strong>g (Foster, 2006; Kruse 2006) and are outl<strong>in</strong>ed <strong>in</strong> many<br />

student handbooks for successful writ<strong>in</strong>g, such as Kruse (1994, 2007),<br />

Bünt<strong>in</strong>g, Bitterlich & Pospiech (1996), Frank, Haacke & Lahm (2007),<br />

Gruber, Huemer & Rhe<strong>in</strong>dorf (2009).<br />

• Creativity development: As writ<strong>in</strong>g is always a process <strong>in</strong>volv<strong>in</strong>g creativity,<br />

we had to make sure that the teach<strong>in</strong>g <strong>of</strong> l<strong>in</strong>guistic knowledge and<br />

<strong>of</strong> writ<strong>in</strong>g creativity was kept <strong>in</strong> balance. An important aspect <strong>of</strong> writ<strong>in</strong>g<br />

<strong>in</strong>struction is that students learn about keep<strong>in</strong>g and break<strong>in</strong>g norms<br />

(see for <strong>in</strong>stance Gardner, 1984, on creative writ<strong>in</strong>g). <strong>Writ<strong>in</strong>g</strong> creativity<br />

can develop only when text norms are not <strong>in</strong>terpreted as laws. It also<br />

follows a developmental model <strong>of</strong> writ<strong>in</strong>g competence <strong>in</strong>volv<strong>in</strong>g cognitive,<br />

aesthetic and social growth. Creativity is not an elementary or basic<br />

competence but an “emergent” feature that always <strong>in</strong>volves a multitude<br />

<strong>of</strong> factors (Sternberg & Lubart, 1996, Kruse, 1997).<br />

• Process-oriented text production: Understand<strong>in</strong>g cognitive processes <strong>in</strong><br />

writ<strong>in</strong>g and build<strong>in</strong>g up meta-cognitive awareness <strong>of</strong> writ<strong>in</strong>g are essential<br />

to produce effective writers. All k<strong>in</strong>ds <strong>of</strong> tra<strong>in</strong><strong>in</strong>g <strong>in</strong> writ<strong>in</strong>g have to be<br />

oriented towards <strong>in</strong>tegrat<strong>in</strong>g the sub-skills outl<strong>in</strong>ed <strong>in</strong> cognitive research<br />

and organis<strong>in</strong>g them <strong>in</strong> a sequential writ<strong>in</strong>g process that connects with<br />

learn<strong>in</strong>g, explor<strong>in</strong>g and reflect<strong>in</strong>g on a topic (Bräuer, 2003).<br />

• Genre theory: We see genre as the <strong>in</strong>terface between l<strong>in</strong>guistics, context<br />

and writ<strong>in</strong>g. As genre is also a major field <strong>of</strong> <strong>in</strong>struction <strong>in</strong> l<strong>in</strong>guistics,<br />

students are provided with knowledge on genres from several fields. In<br />

this area we rely on genre research and theory from Bazerman (1988),<br />

Swales (1990), Bazerman & Prior (2004) and Russell (1997).<br />

• Collaboration and feedback: Several paedagogical theories <strong>of</strong> academic<br />

learn<strong>in</strong>g stress the importance <strong>of</strong> collaborative and learn<strong>in</strong>g communities<br />

as prime factors for successful learn<strong>in</strong>g (Bruffee, 1999, Miller, 2003).<br />

Understand<strong>in</strong>g feedback is the most important prerequisite for collaboration<br />

<strong>in</strong> writ<strong>in</strong>g. Therefore, each writ<strong>in</strong>g course should conta<strong>in</strong> some<br />

tra<strong>in</strong><strong>in</strong>g <strong>in</strong> feedback and should connect writers through feedback. In<br />

addition, various form <strong>of</strong> collaboration such as group work, cooperative<br />

writ<strong>in</strong>g, writ<strong>in</strong>g projects, etc., should be <strong>of</strong>fered. The most important<br />

goal <strong>of</strong> the first part <strong>of</strong> the writ<strong>in</strong>g course is simply to make students<br />

publish their texts early and overcome their fears <strong>of</strong> be<strong>in</strong>g exposed. This<br />

opens their m<strong>in</strong>ds for feedback.<br />

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