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Writing Programs Worldwide - Profiles of Academic Writing in Many Places, 2012a

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CHAPTER 27.<br />

DEVELOPING A “KIWI”<br />

WRITING CENTRE AT MASSEY<br />

UNIVERSITY, NEW ZEALAND<br />

By Lisa Emerson<br />

Massey University (New Zealand)<br />

This essay outl<strong>in</strong>es how the teach<strong>in</strong>g <strong>of</strong> writ<strong>in</strong>g has been <strong>in</strong>troduced<br />

<strong>in</strong>to the curriculum <strong>of</strong> a New Zealand university over the last 20 years.<br />

Start<strong>in</strong>g with a description <strong>of</strong> her accidental <strong>in</strong>troduction to teach<strong>in</strong>g<br />

writ<strong>in</strong>g, the author outl<strong>in</strong>es early <strong>in</strong>itiatives such as the development<br />

<strong>of</strong> a WAC programme <strong>in</strong> the sciences, and New Zealand’s first OWLL.<br />

Despite this early promise, recent years have seen the emergence <strong>of</strong><br />

uncoord<strong>in</strong>ated <strong>in</strong>itiatives <strong>in</strong> the teach<strong>in</strong>g <strong>of</strong> writ<strong>in</strong>g that have led to<br />

various groups compet<strong>in</strong>g for ground. Nevertheless, a promis<strong>in</strong>g new<br />

development—New Zealand’s first <strong>Writ<strong>in</strong>g</strong> Centre—aims not only to<br />

support students, but also to teach writ<strong>in</strong>g theory to a first generation<br />

<strong>of</strong> students. The author sees “becom<strong>in</strong>g an ethnographer <strong>of</strong> your home<br />

campus” as an essential aspect <strong>of</strong> develop<strong>in</strong>g a writ<strong>in</strong>g programme,<br />

and describes the writ<strong>in</strong>g centre <strong>in</strong>itiative as “someth<strong>in</strong>g unique: not<br />

a transplanted idea but a kiwi writ<strong>in</strong>g centre . . . which will be <strong>in</strong>formed<br />

by <strong>in</strong>ternational theory and experience but emerge out <strong>of</strong> unchartered<br />

antipodean ground.”<br />

GETTING STARTED<br />

A little over 20 years ago, <strong>in</strong> 1989, I unwitt<strong>in</strong>gly took my first steps towards<br />

develop<strong>in</strong>g a “Kiwi” 1 <strong>Writ<strong>in</strong>g</strong> Centre at Massey University, <strong>in</strong> Aotearoa New<br />

Zealand. A colleague had returned from sabbatical <strong>in</strong> the US fired up with a<br />

mission to start a writ<strong>in</strong>g centre to improve students’ writ<strong>in</strong>g skills <strong>in</strong> the College<br />

<strong>of</strong> Bus<strong>in</strong>ess. She rang me to see if I would take on the job as sole tutor on<br />

a .5 position. I po<strong>in</strong>ted out that, as a recent MA <strong>in</strong> Victorian literature, I knew<br />

noth<strong>in</strong>g about teach<strong>in</strong>g writ<strong>in</strong>g and even less about bus<strong>in</strong>ess writ<strong>in</strong>g—and had<br />

no idea what a <strong>Writ<strong>in</strong>g</strong> Centre was. “No worries,” said my colleague airily, “we<br />

DOI: https://doi.org/10.37514/PER-B.2012.0346.2.27<br />

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