06.09.2021 Views

Writing Programs Worldwide - Profiles of Academic Writing in Many Places, 2012a

Writing Programs Worldwide - Profiles of Academic Writing in Many Places, 2012a

Writing Programs Worldwide - Profiles of Academic Writing in Many Places, 2012a

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Université Stendhal, Grenoble (France)<br />

tiz<strong>in</strong>g, <strong>in</strong> objectivis<strong>in</strong>g knowledge and <strong>in</strong> <strong>in</strong>clud<strong>in</strong>g the words <strong>of</strong> others<br />

<strong>in</strong> their own discourse (Kara, 2004).<br />

• Difficulty <strong>in</strong> tak<strong>in</strong>g up a po<strong>in</strong>t <strong>of</strong> view (R<strong>in</strong>ck, 2004) and <strong>in</strong> l<strong>in</strong>k<strong>in</strong>g<br />

theory and practical experience <strong>in</strong> the field (Frier, 2004).<br />

This research also focuses upon the heuristic function <strong>of</strong> the written text<br />

and on the reflexive dimension <strong>of</strong> writ<strong>in</strong>g practice that encourages knowledge<br />

build<strong>in</strong>g and the “written codification <strong>of</strong> knowledge” specific to “graphic reason”<br />

(Goody, 1979).<br />

In this context, “graphic reason” is seen as the best tool for implement<strong>in</strong>g<br />

the systematic classification <strong>of</strong> reality that then allows abstraction, distance,<br />

and scientific objectivity. Consequently, non-reflexive writ<strong>in</strong>g such as narration,<br />

viewed with some suspicion, is sometimes seen as antonymic to academic discourse.<br />

This no doubt expla<strong>in</strong>s at least <strong>in</strong> part that such texts are rarely worked<br />

upon at university.<br />

However, recently another side <strong>of</strong> didactics is more specifically focus<strong>in</strong>g<br />

upon the role played by narrative <strong>in</strong> the build<strong>in</strong>g <strong>of</strong> knowledge, and <strong>in</strong> particular<br />

<strong>of</strong> academic knowledge: <strong>in</strong> other words, the didactic function <strong>of</strong> narrative<br />

<strong>in</strong> different discipl<strong>in</strong>es (Reuter, 2007). Indeed, studies <strong>of</strong> various horizons call<br />

<strong>in</strong>to question the restrictive vision <strong>of</strong> scientific knowledge and how it is built,<br />

by giv<strong>in</strong>g a place to narrative <strong>in</strong> academic teach<strong>in</strong>g.<br />

Follow<strong>in</strong>g Bruner’s (2005) sem<strong>in</strong>al works, we can formulate the follow<strong>in</strong>g<br />

hypotheses:<br />

• “Rational” th<strong>in</strong>k<strong>in</strong>g, imag<strong>in</strong>ation, and experience work <strong>in</strong> perpetual <strong>in</strong>teraction<br />

<strong>in</strong> the process <strong>of</strong> elaborat<strong>in</strong>g academic knowledge.<br />

• In order for knowledge to be appropriated, it must be made to have<br />

resonance with personal experience and understand<strong>in</strong>g: a necessary l<strong>in</strong>k<br />

must be made between the s<strong>in</strong>gular and the generic (two spaces that are<br />

usually hermetically detached <strong>in</strong> the context <strong>of</strong> formal learn<strong>in</strong>g).<br />

• It is by activat<strong>in</strong>g “ord<strong>in</strong>ary creativity” (Chabanne & Dunas, 1999) that<br />

the mechanism <strong>of</strong> appropriat<strong>in</strong>g academic knowledge, <strong>in</strong> all its complexity<br />

and diversity, is set <strong>of</strong>f.<br />

THE PEDAGOGICAL PROJECT PUT IN PLACE 11<br />

The project <strong>in</strong> question is aimed at students enrolled <strong>in</strong> the first year <strong>of</strong> Language<br />

Sciences <strong>in</strong> a class on methodology <strong>of</strong> academic writ<strong>in</strong>g that entails 48<br />

hours <strong>of</strong> contact time, divided <strong>in</strong>to 24 sessions <strong>of</strong> 2 hours. This class is organized<br />

around 6 themes (The Orig<strong>in</strong>s <strong>of</strong> Language; The Acquisition <strong>of</strong> Language; Birth<br />

and Transformations <strong>of</strong> <strong>Writ<strong>in</strong>g</strong>; Natural Language Process<strong>in</strong>g; Language and<br />

Deafness). The pedagogical methods put <strong>in</strong>to practice <strong>in</strong>tend to br<strong>in</strong>g together<br />

217

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!