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Writing Programs Worldwide - Profiles of Academic Writing in Many Places, 2012a

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CHAPTER 42.<br />

SECTION ESSAY: REFLECTING<br />

ON WHAT CAN BE GAINED<br />

FROM COMPARING MODELS<br />

OF ACADEMIC WRITING<br />

PROVISION<br />

By Lisa Ganobcsik-Williams<br />

Coventry University (England)<br />

The purpose <strong>of</strong> this section essay is to consider a central question raised<br />

by the <strong>Writ<strong>in</strong>g</strong> <strong>Programs</strong> <strong>Worldwide</strong> anthology and articulated <strong>in</strong><br />

Chris Thaiss’ “Introduction” to this volume. This question is, to what<br />

extent is it useful for those work<strong>in</strong>g <strong>in</strong> higher education to be aware<br />

<strong>of</strong> writ<strong>in</strong>g practices and models <strong>of</strong> academic writ<strong>in</strong>g provision <strong>in</strong> place<br />

at higher education <strong>in</strong>stitutions <strong>in</strong> other national contexts? To explore<br />

this question, I will then use examples <strong>of</strong> academic development work<br />

from pr<strong>of</strong>iles <strong>in</strong> this project from universities <strong>in</strong> the UK, Ireland, Australia,<br />

New Zealand, Belgium, and France.<br />

My own earliest reflections on how academic writ<strong>in</strong>g is learned and taught<br />

at the tertiary level <strong>in</strong> different countries occurred when I was an American<br />

exchange student at a British university <strong>in</strong> the 1980s. 1 Hav<strong>in</strong>g been allocated<br />

read<strong>in</strong>g lists and assigned essays to write, I was told by the academics teach<strong>in</strong>g<br />

the courses I was tak<strong>in</strong>g, as well as by fellow students, that as far as writ<strong>in</strong>g<br />

was concerned I just needed “to get on with it.” I found this experience, dur<strong>in</strong>g<br />

which I grappled to understand what was expected <strong>of</strong> me as a writer and<br />

throughout which I struggled to write, to be <strong>in</strong> marked contrast to the pedagogy<br />

<strong>of</strong> the composition classes I had been required to take <strong>in</strong> my first year <strong>of</strong> study<br />

at a US university. In these classes, assignment structures, expectations, and<br />

argumentation were discussed and draft<strong>in</strong>g processes scaffolded and monitored.<br />

The experience <strong>of</strong> be<strong>in</strong>g a student writer <strong>in</strong> a foreign higher education system<br />

<strong>in</strong> which writ<strong>in</strong>g was not visibly taught proved to be a pivotal moment for me.<br />

Because <strong>of</strong> this experience, I came to recognise the need for students to become<br />

DOI: https://doi.org/10.37514/PER-B.2012.0346.2.42<br />

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