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Writing Programs Worldwide - Profiles of Academic Writing in Many Places, 2012a

Writing Programs Worldwide - Profiles of Academic Writing in Many Places, 2012a

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Boch and Frier<br />

knowledge (build<strong>in</strong>g <strong>of</strong> knowledge <strong>in</strong> an academic field), expertise (command<br />

<strong>of</strong> written skills) and <strong>in</strong>terpersonal skills (demystify<strong>in</strong>g theoretical knowledge<br />

and foster<strong>in</strong>g confidence, appropriation <strong>of</strong> knowledge by the subject and construction<br />

<strong>of</strong> a po<strong>in</strong>t <strong>of</strong> view). Above and beyond these aims, the <strong>in</strong>tention is also<br />

to combat the huge writerly <strong>in</strong>security at the beg<strong>in</strong>n<strong>in</strong>g <strong>of</strong> undergraduate studies<br />

at university, to br<strong>in</strong>g out the “unrecognized knowledge” (Penloup, 2007)<br />

<strong>of</strong> our students, to encourage their creativity and to get them to engage <strong>in</strong> and<br />

through writ<strong>in</strong>g on the path to knowledge.<br />

With<strong>in</strong> this new pedagogical project, the text to be produced <strong>in</strong>cludes fiction<br />

(<strong>in</strong>vented story) and narrative (situations, fictional characters or stag<strong>in</strong>g<br />

<strong>of</strong> the protagonists <strong>of</strong> different debates) and is thus supposed to enterta<strong>in</strong> the<br />

reader. However, it is also a narrative showcas<strong>in</strong>g ideas, a po<strong>in</strong>t <strong>of</strong> view on<br />

a question, an academic problem, as well as the fictional aspect. It therefore<br />

also has to <strong>in</strong>form the reader: the academic <strong>in</strong>formation has to be presented <strong>in</strong><br />

different forms, and with<strong>in</strong> this piece <strong>of</strong> writ<strong>in</strong>g extracts <strong>of</strong> academic writ<strong>in</strong>g<br />

are to be found: fragments <strong>of</strong> texts (quotes), notions, reformulated ideas, arguments,<br />

theoretical trends, names <strong>of</strong> authors, dates, etc., are <strong>in</strong>serted as the story<br />

unfolds. These two requirements (enterta<strong>in</strong><strong>in</strong>g and <strong>in</strong>form<strong>in</strong>g) have to f<strong>in</strong>d a<br />

balance <strong>in</strong> the text. We chose to prepare students for, and support them <strong>in</strong>, the<br />

writ<strong>in</strong>g <strong>of</strong> this fictional text us<strong>in</strong>g writ<strong>in</strong>g workshops.<br />

PROMISING RESULTS 12<br />

The analysis <strong>of</strong> the corpus <strong>of</strong> fictional pieces gathered <strong>in</strong> the context <strong>of</strong> this<br />

project (2008-2011) shows that academic fiction is largely conducive to a tangible<br />

and solid evolution <strong>of</strong> the written abilities <strong>of</strong> students, if they are <strong>of</strong>fered<br />

the correct support throughout the process. Each <strong>in</strong> its own way, these fictional<br />

narratives <strong>in</strong>terweave with more or less competence the elements considered to<br />

be objective parts <strong>of</strong> academic knowledge (def<strong>in</strong>itions, authors’ names, theories,<br />

dates, etc.), the fictional elements supposed to provide a context for the question<br />

asked by the text, and elements <strong>of</strong> argumentation (po<strong>in</strong>t <strong>of</strong> view put forward).<br />

The systematic presence <strong>of</strong> these three <strong>in</strong>tentions signifies, <strong>in</strong> our view,<br />

a considerable evolution <strong>of</strong> the abilities <strong>of</strong> the students who authored these<br />

texts, <strong>in</strong>s<strong>of</strong>ar as this capacity to navigate between different stances <strong>in</strong> language is<br />

progressively constructed through the texts produced throughout the year. The<br />

appendix <strong>in</strong>cludes some commented extracts from a text entitled “At the Orig<strong>in</strong><br />

<strong>of</strong> <strong>Writ<strong>in</strong>g</strong>,” which illustrate this ability.<br />

After complet<strong>in</strong>g this work, the students no longer write <strong>in</strong> the same way.<br />

Engaged over the long term both on an <strong>in</strong>dividual and collective level <strong>in</strong> a ritualized<br />

project <strong>of</strong> tra<strong>in</strong><strong>in</strong>g/support <strong>in</strong> writ<strong>in</strong>g, they progressively become aware<br />

218

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