ASA JOURNAL 14/2023
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HOLY CRAB<br />
109<br />
07<br />
การวางบิดองศาของเสา<br />
ในผังอาคารช่วยนำาสายตา<br />
ไปสู่จุดศูนย์กลางแท่นพิธี<br />
โดยที่ไ่ม่ได้รู้สึกถูกบดบัง<br />
ทัศนวิสัย<br />
7<br />
Only 20 kilometers from the Myanmar border, in<br />
Thailand’s Tak province in Umphang district, Indonesian<br />
priest Reynaldo Tardielly was determined<br />
to build a religious structure that would serve not<br />
only as a sacred ground for the Christian faith but<br />
also as a spiritual hub for members of the local<br />
Karen community.<br />
Spanish architect Francisco Garcia Moro faced a<br />
challenge while designing and building St. Xavier’s<br />
Oratory about figuring out how to create a religious<br />
building that locals could relate to and understand<br />
through architecture that resonates with people’s<br />
perceptions and ways of life. The architect chose<br />
to decode the beauty of Thai vernacular architecture<br />
with a design concept that drew influence<br />
from local homes and craftsmanship elements<br />
inherited and created by local builders.<br />
Situated on waterside land in the middle of forestland,<br />
the oratory was designed to exist in harmony<br />
and humility with nature while still possessing the<br />
characteristics of a community center. Nature plays<br />
an important part in the spatial experience of the<br />
building and is incorporated as the highlight of the<br />
spatial program.