ASA JOURNAL 14/2023
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
theme / review<br />
Holy Crab<br />
At St. Xavier’s Oratory in Tak<br />
Province, the architect has<br />
worked closely with the local<br />
carpenter to create a religious<br />
building with beautifully woven<br />
wooden skin, a spectacular<br />
representation of the relationship<br />
between design and locals.<br />
102<br />
theme / review<br />
At the Heart of It<br />
In Khao Yai, DBALP’s Glass Hall<br />
stands out with its minimalistic<br />
modern architecture combined<br />
with traditional elements<br />
found in Buddhist temples in<br />
the northeastern and northern<br />
regions.<br />
1<strong>14</strong><br />
Photo Credit: Panoramic Studio<br />
Photo Credit: W Workspace<br />
material<br />
Materials, Tools,<br />
Techniques-<br />
Fundamental<br />
Factors in the<br />
Design Process<br />
and Wood<br />
Architectural<br />
Work<br />
This article discusses wood<br />
material as one of the common<br />
factors in designing and working<br />
with wooden architecture,<br />
as well as the fundamentals<br />
of examining the concept of<br />
“materials, tools, and methods”<br />
from a holistic standpoint.<br />
128<br />
Renewable<br />
Energy Wood<br />
Flooring<br />
Wood Flooring<br />
<strong>14</strong>2<br />
Wood<br />
Chirp Barn<br />
Wood Structure<br />
<strong>14</strong>3<br />
ForestBank<br />
Collection<br />
Alternative<br />
Material<br />
<strong>14</strong>4<br />
professional<br />
Sher Maker<br />
<strong>ASA</strong> Journal talked to Sher<br />
Maker, a Chiang Mai-based<br />
design studio founded by<br />
Patcharada In-plang and<br />
Thongchai Chansamak,<br />
two trained architects who<br />
also refer to themselves as<br />
makers.<br />
<strong>14</strong>6<br />
professional<br />
1922 Architects<br />
160<br />
chat<br />
Vasu<br />
Poshyanandana<br />
VASU Poshyanandana shared<br />
his duties and roles as the<br />
director of the <strong>ASA</strong> Committee<br />
in charge of architecture conservation<br />
work.<br />
164<br />
Photo Courtesy of Sher Maker<br />
the last page<br />
168<br />
yumakano.com
Change language