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ASA JOURNAL 14/2023

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162<br />

professional / studio<br />

Baan Nang Lae Nai<br />

How did 1922 Architects get their<br />

start? Could you please tell us<br />

about it briefly?<br />

Songtam Srinakarin: I and Piangor<br />

Pattayakorn used to work at Spacetime<br />

Architects. After deciding to start our own<br />

family, we were given the unexpected<br />

opportunity to open a studio in Chiang Rai.<br />

We believed that if we were to settle here,<br />

we would have a chance to construct<br />

something of our own. So we built our<br />

house, hoping that it could be a space to<br />

experiment with various things and receive<br />

answers to questions we’d had in the past,<br />

as well as a work of our own. So this<br />

property serves as a jumping-off for many<br />

things, including a studio, an experiment,<br />

and collaborations with many people.<br />

Why did you open a studio in<br />

Chiang Rai when you could have<br />

opened a studio in Bangkok?<br />

Songtam Srinakarin: Let me first<br />

say that I am from Khon Kaen Province<br />

and went to study at AAU, ABAC. As for<br />

Piangor, she is from Chiang Rai Province,<br />

and she studied at Silpakorn University.<br />

That is, we actually met in Bangkok. From<br />

the time we studied until we graduated,<br />

we worked for many years. As a person<br />

from another province, of course, there are<br />

thoughts of wanting to return to live in your<br />

own home province. In the end, we chose<br />

to come to Chiang Rai, which is Piangor’s<br />

hometown. And we have the same opinion<br />

that architects’ studios should not be<br />

located only in Bangkok, even in matters of<br />

values in the line of work, wages, or other<br />

factors. In the provinces, it will not be as<br />

convenient or worthwhile as in Bangkok,<br />

but the fact that we spread out to the outer<br />

provinces will help strengthen the remote<br />

community. It was not an easy decision, as<br />

it took some time for our studio to settle<br />

down or start working on our project,<br />

which took almost 7 years.<br />

Is it difficult to make your own<br />

experimental work in an area<br />

where no one may understand<br />

what you’re attempting?<br />

Songtam Srinakarin: Well, there is<br />

both good fortune that makes working<br />

simpler and difficulty in discussing<br />

design specifics. Sudapim Piraban, our

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