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ASA JOURNAL 14/2023

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SHER MAKER<br />

151<br />

5<br />

A large gable roof covering 200 square meters of the studio space, nestled peacefully in<br />

nature, located Sher Maker’s studio on a plot of land that initially had large trees, such as<br />

the nonsee trees and the giant acacia trees. The building was done in a “self-built” manner—<br />

built and constructed by themselves. A team of professional builders handled the main<br />

structure, and after that, the studio started dealing with the rest with the idea of building<br />

for temporary use for ten years. Hence, the structure of the building uses simple materials<br />

and is designed with a simple geometric form. The design was focused on the hall and the<br />

multi-purpose area of the building, and since there were large existing trees in some parts<br />

of the building, the structure was designed to merge into the building area.<br />

05<br />

ทีมงาน Sher Maker<br />

06<br />

พื้นที่เวิร์กช็อป<br />

สาหรับทดสอบวัสดุ<br />

และงานก่อสร้าง<br />

“A good architecture studio must be one where architects and staff can<br />

concentrate well on the work. Therefore, we lowered the eaves to work where<br />

we could truly concentrate on the work. In addition, there should also be a<br />

spacious non-working space, which could be half and half. It will be a space<br />

where everyone can sit, talk, meet with technicians, or even socialize and do<br />

workshops. These areas are important, and we believe they will contribute to<br />

discovering new things.”<br />

Design and Build<br />

Sher Maker sets up their studio operation to have a design team of 5–6 people. The number<br />

can vary depending on the project, but it stays within these numbers. The members of the<br />

design team are primarily in charge of three aspects. The first part entails conducting research<br />

and gathering material data, as well as working on mock-ups and in workshops. The next<br />

phase encompassed the design development, and the third was to create workable drawings.<br />

They also collaborate with a small team of builders and artisans. Patcharada stressed that<br />

these builders are not part of the studio’s in-house staff and that Sher Maker does not undertake<br />

turnkey projects in the way that most people would think.<br />

“We use the phrase ‘design and build’ because we have a close<br />

working relationship with this team of builders.” They mostly<br />

work on our projects, but as our independent partner, they have the<br />

authority to make decisions, estimate expenses, and revise details<br />

of a project together with us. It’s almost like we’re two units working<br />

together.”<br />

Working directly with builders and artisans and having some of them on the team assists<br />

Sher Maker greatly in transforming limits into ‘senses in design.’ To elaborate on this subject,<br />

Sher Maker’s approach to architectural design does not consider design to be a linear process.<br />

Patcharada recalls how they sketched out the design of their office building on a single<br />

piece of paper, then began the self-built process that would eventually fill in the gaps through<br />

discussions about sketches, proportions of various components, and materials. These conversations<br />

encompass details of the construction and materials purchased prior to the actual<br />

commencement of production, including the purchase of the necessary tools and supplies.<br />

When the budget is very restricted, having builders on the team helps a great deal to eliminate<br />

certain needless steps in the production process.<br />

6

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