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The ocean of story, being C.H. Tawney's translation of Somadeva's ...

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FOREWORD xxi<br />

forms may the results <strong>of</strong> his labours be most compendiously<br />

and pr<strong>of</strong>itably expressed. Again it will be understood that<br />

I <strong>of</strong>fer only personal opinions to form a basis <strong>of</strong> discussion.<br />

However little value the former may prove to have, the latter<br />

will not be inopportune for it will ;<br />

not ultimately delay the<br />

attainment <strong>of</strong> our journey's end to pause in order to take<br />

the bearings <strong>of</strong> the proximate landmark and perhaps even<br />

to look where the feet are next to be placed.<br />

I assume that our ultimate goal is to discover through<br />

the study <strong>of</strong> particular stories in their different settings the<br />

hi<strong>story</strong> <strong>of</strong> this form <strong>of</strong> popular fiction, the laws which govern<br />

its creation and transmission, and perhaps eventually to<br />

assess the respective contributions to the common stock<br />

which have been made in particular areas by particular<br />

peoples. Our task, which can hardly yet be said to have<br />

emerged from its preliminary stages, is complicated by the<br />

bewildering character <strong>of</strong> the material and the formidable<br />

quantity <strong>of</strong> it which already demands assimilation. Further,<br />

but little consideration appears as yet to have been devoted<br />

to the possibility <strong>of</strong> devising a convenient and standard<br />

method <strong>of</strong> co-ordinating the floating information which is at<br />

present available ; while, lastly, the material is drawn from<br />

so wide an area that real knowledge <strong>of</strong> all the relevant facts<br />

linguistic, cultural, literary and historical, in all sections<br />

<strong>of</strong> it would overtax the qualities <strong>of</strong> a superman.<br />

It would appear that specialisation is forced upon us and<br />

that the student <strong>of</strong> folk-tales must join the ranks <strong>of</strong> those<br />

" who know more and more about less and less." I do not<br />

mean, <strong>of</strong> course, that he should be ignorant <strong>of</strong> the general<br />

problems or not have a good working knowledge <strong>of</strong> com-<br />

parative<br />

folk-lore : without that he will not be an efficient<br />

specialist. But I do think that he will now pr<strong>of</strong>itably limit the<br />

scope <strong>of</strong> his special investigations and perhaps the nature <strong>of</strong><br />

his immediate ambitions. <strong>The</strong> days when the unsystematic<br />

collection <strong>of</strong> random analogies were useful are past. By that<br />

I do not mean that notes like those <strong>of</strong> Tawney, for example,<br />

were not valuable in their generation. We owe, in fact, every-<br />

thing to him and his peers. It is rather that their particular<br />

lode has been worked out, and we have now learned all

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