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The ocean of story, being C.H. Tawney's translation of Somadeva's ...

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252 THE OCEAN OF STORY<br />

sometimes made ; for this, cotton cord <strong>of</strong> two colours is<br />

plaited into a thick, stout, flat braid, which is very handsome<br />

and durable. It may be mentioned that similar plaited cord<br />

strings, but round, <strong>of</strong> two or three colours are made by priests<br />

for ola book strings (potlanu). 1<br />

"<strong>The</strong> embroidery <strong>of</strong> bags consists generally <strong>of</strong> a centre<br />

design, floral or otherwise, framed by three or more borders<br />

parallel to the edge <strong>of</strong> the bag. Of these borders the inner-<br />

most is always pald-peti, 2 the largest liya-vela, 3 the others a<br />

variety <strong>of</strong> havadiya 4 5<br />

or galbindu<br />

<strong>of</strong> coloured silk is sometimes used the small ;<br />

bag <strong>of</strong> PL XXX,<br />

No. 1, is exceptional in having embroidery entirely in silk.<br />

It may be noted that silk is frequently mentioned in the<br />

Mahdvamsa, but never with any suggestion <strong>of</strong> its <strong>being</strong> an<br />

indigenous product. <strong>The</strong> edges <strong>of</strong> bags are either bound with<br />

pattern. A limited amount<br />

woven braid, which was made in a great variety <strong>of</strong> designs,<br />

8<br />

or stitched with the peculiar centipede '<br />

6<br />

binding stitch.<br />

"<br />

Less common than the oval bags are the square ones.<br />

<strong>The</strong>y are made from a square piece <strong>of</strong> material, the four<br />

corners <strong>of</strong> which are drawn together for the attachment <strong>of</strong><br />

the handle, consisting <strong>of</strong> four cords instead <strong>of</strong> the two <strong>of</strong> oval<br />

bags."<br />

Turning to Malaya we find the betel-boxes exhibit beautiful<br />

specimens <strong>of</strong> the gold- and silversmiths' art. Every<br />

fitted with the<br />

Malay house has a betel-box or betel-tray<br />

requisites for chewing. <strong>The</strong> more humble article is made <strong>of</strong><br />

wood or brass. It is generally about eight inches in diameter,<br />

shaped like the frustrum <strong>of</strong> a pyramid reversed, uncovered<br />

and fitted with several brass or silver boxes, one without a<br />

cover to hold accessories such as cardamoms and cloves, and<br />

three covered for the essentials catechu, lime and tobacco.<br />

<strong>The</strong>re is also a small case, open at each end, to hold the betel<br />

leaves, a metal spatula for spreading the lime on them, and<br />

1 Ola i.e. the leaf <strong>of</strong> Corypha iimbraculifera, used for MSS.<br />

2<br />

Lotus-petal border.<br />

3<br />

Vine-creeper.<br />

4 Chain.<br />

5 Gem-dot.<br />

6<br />

Patteya, " centipede/' or mudum mesma (backbone stitch), appears to be<br />

peculiar to Singhalese embroidery. It is an elaborated herring-bone. Two<br />

needles are used in conjunction. For a detailed description <strong>of</strong> the work see<br />

Coomaraswamy, op. cit., p. 241.

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